Death Wears Pink Shoes by Robert James

published 1952







The door had been left open in an attempt to catch any passing breeze, and… a woman appeared and peeked in. Keith’s eyes popped, and he tried to keep his mouth from sagging. She was very tall with flaming red hair that curled up under an enormous cartwheel hat… the matching blue dress was so tight that it appeared that she must have been poured into it, and the plunging neckline had definitely gone out of bounds. Her sandals were a maze of narrow blue straps with the highest heels Keith had ever seen.

[Later] Greta greeted everybody with her customary “Hello, darlings,” and dropped into a chair.

“Don’t you feel naked?” Gladys asked her.

Greta glanced down at her white sun dress. It started at the shoulders, ended abruptly, and for quite a space there was nothing but Greta, then it came to life again in an enormous circular skirt. “It’s hot,” Greta explained defensively.

“I didn’t mean that, but you have no hat.”

commentary: After recent outings with ballet – see here and here – this book seemed to follow the thread. The shoes are definitely pink ballet shoes, and the corpse is found wearing them on his poor dead feet.

But ballet doesn’t feature at all – the shoes are just there to add weirdness, there’s no real significance. However, it was a good read anyway: the inhabitants of an old brownstone in New York, now divided into apartments, assemble for a memorably awful building party. Everyone is horrible to each other, and the constant calls for more drink make this worse not better. An attempt at a dire party game ends in more bad feeling. The next day one of the guests is found dead. A nice cop comes to investigate, along with the dead man’s nephew. The residents include (of course) two nice young women in the basement.

There’s not a great deal of detecting to do, and by the time there’s been another murder, and we have decided to eliminate certain people from suspicion, there aren’t many suspects left (this book really is a closed circle – there are just about no other characters: no colleagues or friends, no shopkeepers or even passing strangers, no unexpected witnesses).

But the clothes are great, the sparky and ill-natured conversations among the tenants are always enjoyable, and there are some funny moments:

“They married in haste and it fell apart almost right away.” 

“Why?” 

The two girls stared at her in astonishment. It seemed incredible that anyone should question a marriage of [X]’s breaking up.

And

Keith took time out to observe that he disliked pigheaded women, and Greta reminded him that he was lucky to have a choice because the girls were faced with 100% pig-headedness in men.

There’s one feature that I thought was unusual: we find out who the guilty party is, and then we get a full chapter of that person’s thoughts, explaining method and motive in an internal monologue. I’m sure there must be other examples of this in crime fiction, outside of first person narration, but I can’t think of any.

There is all kinds of interest in the book itself, as physical object.





I may have been mistaken in expecting some ballet content, but at least I read the book and discovered my mistake, which I don’t think the designer of this cover did. This picture bears no resemblance whatsoever to any aspect of the book, apart from the existence of pink shoes. HOWEVER - it is fabulous isn’t it? (The actual skull is missing, so I’m not sure if it would fit the collection of TracyK: shout out if you want it Tracy, and I will send it on.)

The wrap worn by the skeleton features a pink print: the repeated logo of the Doubleday Crime Club, who published the book.

The back cover contains a code of symbols by which you can tell what kind of crime book you are holding – in this case, big on character and atmosphere.

And - apparently Robert James was a pseudonym for Iris Little, an Australian writer with sisters (Constance and Gwynneth) who also wrote detective fiction. I recently featured comments by Leonard Holton on the differences between men and women’s crime fiction:

I'm not fond of bashing people around or shooting them, and casual sex I disagree with. On the other hand I have no real talent for the threads of detail which form the smooth and satisfactory web of the detective story as written by women writers.

Death Wears Pink Shoes definitely reads like a combination of the two: it is tougher than that title would suggest.

Clothes from Kristine’s photostream and the Clover Vintage Tumbler.

The Secrets of a Little Black Dress…

The Story of Black by John Harvey

published 201









commentary: Simon Lavery, the proprietor of the Tredynas Days blog, recommended this book to me, and I am very grateful: John Harvey, an academic, has written two books on the colour black, and you can read Simon’s (fascinating) take on them both here.

I enjoyed The Story of Black very much – the author deals with every aspect of the colour: in art, in literature, in consideration of race, in its associations with sadness or death, and of course in clothes. I decided to run his story of the Little Black Dress above as is, with the photo, because of such interest to me and I’m sure to many of my readers… As explained in the text the fabulous photo is NOT from the era it represents, it is a modern reconstruction.

There are all kinds of riveting stories in the book – with my interest in clothes, I was also very intrigued by the history of what witches traditionally wore: the short answer is ‘not necessarily black’, as that is a modern idea.

It’s a lovely book, very well-produced and with many beautiful illustrations: When he describes something, you know you will turn the page and see what he is talking about. John Harvey is plainly a polymath, and his examples come from poetry, from the history of coal-mining, from East and West, from Ancient Greece, from Turner and Milton. A serious, academic and well-researched book, but accessible and endlessly entertaining.

Where Roses Never Die by Gunnar Staalesen

published 2016

translated from Norwegian by Don Bartlett

This is another version of a post I did for the Petrona Remembered website in memory of the still-missed Petrona, Maxine Clark. The book has also just won the Petrona prize. You can see the other version of the post on the site, and also look at other recommendations for great books while you are there….

It was New Year’s Eve 1976 and midnight had passed. It had been bitingly cold for Bergen, the thermometer had sunk to well below zero. All the adults were gathered in the function room in the architect’s house for the annual New Year party. The youngsters were asleep and the eldest children had been sent to bed, now the fireworks were over…

Champagne corks were popping in the function room as well. The food was eaten, they had danced, and spirits were high when Terje tapped his glass at around half past twelve. He kept tapping but it was only when Vibeke started clapping her hands beside him that he had the group’s attention.

Clothes maketh the man, the proverb went, but it was usually the opposite, people chose an outfit that reflected their character…

Randi herself and Nils were dressed in black, him in a black suit with a blue tie, her in ‘a little black number’, so short that she showed a maximum of what she knew was her best feature, her attractive legs. When she had danced with Tor earlier in the evening, he had patted her on the bottom and said the same: ‘The best legs in the room, Randi…’

‘We’ve decided it’s time for a party game,’ Terje said from the podium once he finally had everyone’s attention.

‘We?’ said Vibeke, looking at him askance.

‘Listen to him! Listen to him!’ Tor shouted.

‘We’re calling this the New Year games,’ Terje continued. 

Everyone was attentive now. This was something new.

commentary: I picked the right time to read this one. Compared with my crime fiction friends, I’m a novice when it comes to Scandi books, but a review over at Reactions to Reading convinced me to try this one – Bernadette, the proprietor, is always reliable. She doesn’t just write great reviews, she also matches my tastes. (Secretly I enjoy her slamming reviews of books she doesn’t like almost more than the good ones.)

Anyway, she did a good job selling this, and unsurprisingly I loved it – and then I surfaced from reading it to find it had won the Petrona Award. That’s the literary prize founded in honour of our much-missed friend Maxine Clarke, who blogged as Petrona and died a few years ago. The award is for a book she would have liked, and I think she’d have loved this one.

Varg Veum is a private investigator in the tradition and spirit of the great US crime books: maybe washed up, has a messy personal life, is an alcoholic, has made enemies. It is 2002, and he is asked to look again at the case of a 3-year-old girl who went missing from outside her house 25 years earlier. One of the remaining witnesses died in a strange and random robbery attempt, and the child’s mother was reminded that she is running out of time, a statute of limitations is about to impose itself.

There was a group of families living in a housing co-op: all friends, most with children. Many of the relationships didn’t survive the era of the disappearance, though Veum turns up other reasons for that. Slowly he works his way through the list of those involved, calling in favours and following instincts and intuition – his own and others. Norwegian life and ways are laid out for us in a most appealing way. The people are varied, some good some bad, all distinctive in their characters. Facts are teased out till eventually Veum reaches the truth. Sometimes, as in the extract above, we see the events of 25 years before through the other characters’ eyes.

There is some great dialogue – like this exchange with a retired colleague

‘But if there’s anything else you need, you know where to find me.’ 

'Yes, if you haven’t gone to the fjord, that is.’ 

‘I never go so far that I can’t find my way back.’ 

‘Wish I could say the same.’

And during an uncomfortable conversation:

Like two experienced synchronised swimmers we raised our cups of coffee at the same time, staring furiously at each other. Neither of us liked what he saw and we didn’t try to conceal it.

And sadly Veum breaks his resolution not to drink:

‘You can allow yourself one glass.’ 

‘Well…’ All of a sudden my throat was drier than a temperance preacher’s on the booze cruiser from Denmark. ‘One then.’

The little housing co-op is an important part of the book: much is made of the coloured houses, the closeness of the group, the function room where the New Year’s Eve party above is being held, the atmosphere and undercurrents of the group.

The five houses had been built in a kind of horseshoe shape. The tall two-storey facades, painted in strong contrasting colours, and the gently pitched roofs to the back betrayed their 1970s origins. The house forming the base of the horseshoe was the biggest. It had been painted red, as was one of the others; two were yellow and one was white.

And pictures of Bergen houses suggest that these colours were not unusual.

I thought it was a marvellous book, I loved it. I’m faintly concerned by the fact that this was the 19^th book about Veum: I don’t have time to commit to a new series! But it would be quite wrong to take against Staalesen (or his translator Don Bartlett, who seems very good) on those grounds. The tropes of this book are familiar, we’ve all read many books with similar setups, similar PIs, similar families, similar investigations. But Staalesen takes the ingredients and makes something magical from them, something very different. He surely deserves this prize.

The main picture is a shoe advert from 1977, and suggests a party very similar to the one going on in Bergen.

Dress Down Sunday: Hell! Said the Duchess by Michael Arlen

published 1934

LOOKING AT WHAT GOES ON UNDER THE CLOTHES

At this Mrs. Nautigale’s expression became so distraught that it was as though the powerful edifice of her face was being demolished with a view to structural alterations. As she dived once again on to the helpless reclining Mary, and as Miss Gool left the room, Wingless took the opportunity of doing very quickly and quietly what he thought he had to do.

Signing to Mrs. Nautigale to keep Mary occupied, his fingers searched deftly among the flimsy feminine things in her drawers and cupboards. From beneath a cloud of dainty knickers, the touch of which made him feel like a bull among ospreys, he drew out and slipped into his breast-pocket a slender blade about six inches in length curiously attached to a short handle which had been encased in rubber.

Then, kissing Mary affectionately and telling Mrs. Nautigale not to let her out of her sight until she was safely in Dr. Lapwing’s charge, he left the house for Scotland Yard.


commentary: We haven’t heard the last of these knickers. The following events are part of some riots in London.

Thus the charming but private details of a gentlewoman’s bedchamber became the derided objects of the rioters’ lust, and the coarse hands of the mob delighted to destroy the flimsy fabrics of a duchess’s intimate toilet. While London, on that wretched day, was not spared the degrading spectacle of Englishmen wearing in broad daylight a lady’s knickers as fancy headgear. 

But worse was yet to come…presently when a column of Fascists marched into Grosvenor Square from Carlos Place they were met by the disgusting spectacle of common men and women wearing on their heads the chamber-pots of some of the proudest families in England.

THESE were the images from the book I really wanted to show – but sadly no suitable pictures could be found.

I got hold of this book after recently reading Agatha Christie’s Murder on the Links, which begins with a discussion of the 'Hell! Said the duchess' phrase – supposedly invented by a writer as the perfect eye-catching opening to a story, combining snob and shock value. (Christie gives it as a ‘well-known anecdote’.) I was fairly certain Arlen (a blog favourite) had written something with that title – but it turned out to be 11 years after the Christie. And it seemed like a good idea to read it.

It’s a novella, strange and discomfiting but very funny. There’s a spot of alternative history – London in the 30s has been taken over by Mosleyite Fascists, though this doesn’t seem essential to the plot. The Duchess, who has the excellent name of Mary Dove*, is a respectable young widow of the finest morals, a beautiful lady who does good works and goes to bed early. Except… It seems that she (or someone who looks just likes her) is out and about misbehaving in louche parts of London. And then things get worse – murders are committed by a sex-crazed Jane the Ripper:

It was, of course, obvious that this female fiend could not be an Englishwoman.

But soon it can no longer be ignored that there is evidence against the Duchess:

“It might be faked. It must be faked. Here is one of the best-bred and loveliest women in the world——” 

“So was Messalina.” 

“I am not talking about a Frenchwoman, but about the most gracious lady in England…”

The investigation goes forward – there is some funny business about the Duchess’s maid, and there is a very sinister man around:

“…He was proved beyond all doubt to be a man more gross and more depraved than any other man you ever heard of.” 

“What were these offences, Crust?” 

“Sir, I would not sully your ears.” 

“You do an injustice to the Colonel’s clubs,” said Icelin. “His ears have been sullied by experts.” 

“The man,” said Crust indignantly, “was a sapphist and a nymphomaniac.” 

“Must be an acrobat,” said Wingless. 

“He means,” said Icelin, “sadist and erotomaniac.” 

“Sir,” said Crust warmly, “that’s as may be, but this man Axaloe was a downright shocking chap, that’s what he was. You never heard of such goings on, and what those poor ladies must have suffered—or should have suffered if they had been brought up right—doesn’t bear thinking of…” 

 (I suppose there were writers of the era who might have expressed these sentiments entirely seriously, so I should point out that there can be no doubt of Arlen’s satirical intent throughout.)

The climax comes at a cottage in Leatherhead – Arlen always very good at picking the right Home Counties location for an event - owned by a seldom-seen recluse, who only went out at night and was known to be interested in research.

What started as a crime book tips into horror…. It’s a disconcerting mixture of fantasy and satire, in the end I didn’t know what to make of it, though it was a most entertaining read.

Michael Arlen’s most famous book is, always, The Green Hat – one of the original inspirations for this blog. He was of Armenian origin, but settled in Great Britain (and later America) and wrote unusual stories combining melodrama, satire, romance and sexiness in varying proportions. He was a best-selling writer in his day, but almost forgotten now.

*There is a character called Mary Dove in Agatha Christie’s A Pocketful of Rye, first published in 1953. She is the housekeeper.

House of Secrets by Sarra Manning

published 2017






[A young couple who have just moved into a long-empty house find a hidden suitcase]

Scuffed brown leather covered in old-fashioned labels from far away places. Paris. New York. Los Angeles. Zoe had seen similar luggage selling for stupid amounts of money in the chicest vintage shops of West London.

‘Should we open it?’ Win asked, but he had already snapped open the clasps and lifted up the lid before Zoe could tell tell him that they should drop it off at the vendor’s solicitor. Still, she leaned closer, intrigued, as Win took out a parcel wrapped in tissue paper, which disintegrated beneath his fingers. He shook out the folded fabric that was nestled inside.

It was a bottle-green dress cut on the bias. Zoe reached out a hand to gently touch the material. It was made of rayon or crepe, one of those old fabrics slightly rough to the touch…

commentary: I was lucky enough to go to a glamorous and sophisticated party to launch this book last night: I am of course open to being bribed with unusual cocktails, fizz, and fabulous canapes – but luckily there was no need. I had already read the book and absolutely loved it, so could consume everything on offer with a clear conscience. (I pretty much knew in advance that I would love it – see my enthusiastic post about Sarra Manning’s last book, After the Last Dance, here on the blog.)

This one has a great setup – two distinct storylines, one contemporary and one in the 1930s, linked by a London house in a way that isn’t revealed to begin with. Zoe and Win, above, have moved into a long-empty house, trying to rebuild their relationship after something went badly wrong. They are doing it up, even if Zoe sometimes feels that they’ll be

working long past retirement age, coach parties swinging past to take pictures of the house that hadn’t been lived in for 80 years, then had the builders in for another 40.

Meanwhile, more or less alternate chapters tell us the story of Libby, the owner of the green dress, knocking round 1930s London (not in the house of the title…) after an unfortunate series of events of her own. We first meet her, quite splendidly, acting as the fake adultery partner in a divorce case – a fascinating feature of 1930s life that also comes up, memorably, in Evelyn Waugh’s Handful of Dust, and is mentioned in Dorothy L Sayers Busman’s Honeymoon – see this blogpost for more details. (The arcane 30s divorce rules are laid out and explained in the book – I had never really understood them before.)

We follow the two stories in parallel – Zoe and Win are working out their own problems, while also trying to find out more about Libby, reading her diary which is in the suitcase, and watching the story unfold at the same time as we do. By the end there is a real cliffhanger about Libby’s story – I read a lot of crime novels, but few of them kept me as tense as waiting and hoping and dreading how things are going to pan out for Libby.

And, as in the earlier book, Sarra writes so well about women, and men, and their lives. These are real people, the kind you can imagine as your friends, they have faults and annoying traits, but they also have their charms and quirks. I thought the relationships in the book were very well done. When writing about After the Last Dance, I said about the heroine Rose

She is a great character – not a goody-goody, nor promiscuous, but somewhere in between. She is very sharp and smart and human. She also has an excellent interest in her clothes …

And that could apply to Libby too. 

There were various fine clothes moments in the book, but in the end I felt I had to go with Libby’s cherished green dress, which she wore to be married in. The drawing is from a collection of NYPL fashion illustrations of the 1930s. The photograph, from Kristine’s photostream, is a little too late, but seemed to be the right kind of green dress, and the mysterious head in shadow is in the spirit of the plot.

I took some photos at the booklaunch, but as is traditional with me they were all unusably terrible, so the photo of Sarra above is from her Twitter feed. She is a great friend to this blog – we met online, and are constantly swapping book recommendations. Thus, she has cost me a lot of money over the years – because anything she recommends I immediately buy – but I do forgive her….

Mysteries of blogging, and amdram

Several years of books blogging have taught me one thing: I can never, ever predict which entries will provoke the most and best response. Hanging out the Washing is the prime example of a post that I truly thought would be of no interest to anyone but me, and turned out to be one of my most-loved, most shared, and most commented on. As it goes, everyone likes washing lines, and they all had great suggestions for further reading.

Then there's the whole question of bed jackets, and posts and comments that are an endless source of joy to me and many more. 


Wintle’s Wonders – an obscure Noel Streatfeild children’s book – was another winner. Half of those loving the post were the discerning readers who knew that although her Ballet Shoes is iconic and untouchable, Wonders is an intriguing and more real story, with one of the great slaps in all fiction (Hilary, we love you).

The other half – with perhaps some overlap – were those who recognized the sewing pattern I used to illustrate Rachel’s audition dress: they had made it, or their mother had, they had worn it and loved it in their youth.

What could be more satisfying for a books/clothes blogger than such a reaction?

This: after reading a ballet book for grown ups (by Noel Streatfeild, by coincidence, Pirouette, written under her Susan Scarlett name, blogpost last Friday) I remembered and looked at some other ballet books, and came up with a very casual post on mysterious scenes featuring tights/stockings for dancers in the days before lycra: how did they stay up?

This has now become my most shared and RT-ed post, with comment and social media attention from all over.

As one kind RT-er put it:

Today in "Questions I didn't know were fascinating until I saw the answer" https://t.co/mP94ttdsdI

— John Oxley (@Mr_John_Oxley) August 6, 2017

The answer turned out to involve pennies and elastic.

And then things got even better. The coins in the waistband trick was used by other performers too, and blog favourite Lissa Evans remembered that this was a feature in The Art of Coarse Acting by Michael Green: a comedy classic about amateur dramatics. I still had a copy on my shelf and I and various other Twitter friends (Sian Notley, looking at you)  spent the evening remembering our favourite bits, with me being called on to find and post some of the better pages, all of us falling about with laughter. I then had to re-read the whole book, and found it even funnier than I remembered. Michael Green was a comic genius, and I would mistrust anyone who didn’t find the book hysterically funny.

He writes for the am-dram characters who can’t remember their lines, blunder into the scenery, and really just want to get to the pub before it shuts: the subtitle of the book is ‘How to Wreck an Amateur Dramatic Society.

There are artful reminsciences of Unpleastantnesses in theatres all over Britain, and anecdotes concerning his friends Askew (and his unfortunate sister Maureen) and Watkins. Anyone who has ever been to the theatre would find this book amusing. But it IS artful too, not just slapstick. Green describes an all-purpose Coarse Costume (note the tights – not enough coins used there…)







And then he gives a list of the parts for which it suitable. This is  nothing more than half a page of character names, the small roles of Shakespeare. That’s all it is, but it is just hilarious, I cannot read it without laughing, but I don’t know why. Is it because it sums up the whole of Shakespeare in half a page? Is it the strange existence of King Lear and Corpse of Henry V, in the middle of the servitors, two of Timon’s creditors, another poet and a Pander? Who knows.





I could keep quoting the whole book, but instead you should each go out and get your own copy. Enjoyment guaranteed.

Petrona Remembered: A Prize-Winning Book

Today’s entry appears on the website Petrona Remembered, here.

I always say the same thing when the question of Maxine comes up, but that doesn’t make it any less true: I didn’t know Maxine Clarke, Petrona, for long, but she made a big impression on me. She was kind and generous and very welcoming to a new blogger – she was part of a group of crime fiction fans who very kindly invited me into their circle. The others are friends to this day, and we all miss Maxine, who should still be here.

So I am always very glad to contribute to the website created in her memory, and feel particularly honoured that this time I am doing a book chosen for Maxine – but also the book that won this year’s Petrona prize in her memory.

Where Roses Never Die

by Gunnar Staalesen

(Published 2016.Translated from Norwegian by Don Bartlett).

To read my review, head over to the Petrona Remembered website – and do take a look at the other reviews listed while you are there. The site is a treasure trove of recommendations for good books.