Gladys Again: The Rising of the Moon


The Rising of the Moon by Gladys Mitchell

published 1945

Following on from the Gladys Mitchell session at the marvellous Bodies From the Library conference, I spent a lot of time reading the Great Gladys, and am also trying to answer the questions: which are her best books OR where’s a good place to start. And as a result there are a lot of posts about her – click on the label below for more.

You could safely start with this one: Rising of the Moon is one of her generally-admired books, and it is indeed excellent – it is a bildungsroman, a coming-of-age story: and it has a completely-convincing setting. Gladys Mitchell spent some of her youth in Brentford* on the Thames in West London – the day of the conference someone who lives there Tweeted me to say that she had read Rising of the Moon and it was very recognizable, full of real places. Mitchell has said herself that the two boys, Sim and Keith, are herself and her brother. Although published in 1945, it has a pre-war setting, she is obviously looking back at her own childhood. (She was born in 1901, so that would put the action of the book during WW1, which is not the case, so we can’t make it too autobiographical). It is a wholly-realized world and totally convincing as thoughts of the 13yo narrator, quite the achievement. Near the end, the boys are accompany a murderer alongside the river, and it reminded me of the tour-de-force passage in Charles Dickens’ Oliver Twist when Oliver has to accompany Bill Sikes as he walks around London. No greater compliment…

* Incidentally, as so often the way, having scarcely ever heard of the place prior to this book - in recent reading about Shakespeare I came across some references to Brentford as 'a place of amorous truancy & illicit pleasure'.  We might have thought it would have been a quiet riverside village in the 16th C, but it actually was a lurid notorious hotbed of vice, assignations, riotous taverns, and bawdy-houses...

The orphaned boys live with their older brother Jack and his wife June and the lodger Christina. Sim has this thought:

June would die at some conveniently early date, and so leave Jack for Christina. We should, by those means, at any rate keep her in the family.

A wholly unsurprising way to think. But still, the relationship with the lodger Christina is strange, with the cuddling and bedroom visits, though within the book this is loving but innocent.

There are scenes set at a circus, very unglamorised but a magnet attraction to the boys, and a dance hall, equally unromantic – but both full of details of the time, and painting a realistic picture. Christina goes out to the dancehall in a ‘pale green frock we had not seen before and a small fur cape on her shoulders’.

As often in her books, a corset come adrift from a murder victim.

It is much more easy to follow than some of her books, though really not clear about motives, and who exactly did what. Now in all honesty - they are all like that, but don’t let that put you off. It is well worth reading for the atmosphere, the setting and the very memorable narrator. Give Gladys Mitchell a go and give her a chance…

I am going to boast and say that I am very pleased with the pictures I found for the book:

Picture from Library of Congress is very American – two Cajun boys fishing on a bayou in Louisiana – but dates from 1940, and I think anyone who has read the book would agree they have a look of Sim and Keith fishing in the Thames.

The lion tamer comes from the National Science & Media Museum.

The dress picture – from 1930s Vogue – comes from the Clover Vintage Tumblr.


  1. You should be pleased with those pictures, Moira; they're great! I think you're quite right about Mitchell's writing. Sometimes things like motive, who does what, etc. are not crystal clear. But she was really good at depicting place, atmosphere, local customs, and so on. And there is some sly wit in her work that I like. I agree with you, too, that it's really hard to write a teen character. I give her a lot of credit for doing it well.

    1. Yes Margot, you are wise and right as usual. I am more mellow about her quirkiness now, and determined to enjoy the good bits. I think I used to wish she was more like Agatha Christie, who of course is my great heroine, but now I am more sensible and think she has her own ways.

  2. Not sure that bingeing on Mitchell is a good idea. She is too distinctive and too strongly-flavoured to take in large doses, I think.
    That said, this is one of her best, and almost coherent in its plot. She portrays Brentford - then a separate town, rather than part of London very well. The first-person narration works well too. The interesting question is whether she was aware of the emotional cross-currents between the various members of the family. Deliberate or not, they are convincingly drawn.

    1. Yes to all you say. I definitely found I had to alternate (at the very least) one of hers with something quite different. But she was very very talented in her way. I'd love to know more about what her contemporaries thought of her.

  3. Yes, for me, too, this is one that stands out. I agree, it is excellent by any standards. On the other hand, I have just read Death and the Maiden and it is quite bonkers, and not altogether in a good way . . .

    1. Oh me too! Once I read it was set in Winchester I had to read it next. Loving the setting, the plot.... not so much.


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