DOWER HOUSES IN LITERATURE
Sometimes when I do a theme post, I think 'will anyone else care?' But - I can’t be the only person who is intrigued by the idea of Dower Houses, and the role they play in fiction. There’s something about the name that implies off-beat glamour, louche poshos, beautiful architecture, mysteries & secrets.
Roughly speaking, the Dower House is where the widow of a
titled gent goes, when her son takes over the title and the big house. She will
have brought her dowry (the two words are related) to the marriage, and there
will have been a settlement at the time of her wedding. Her father’s lawyers and her husband’s (or her
father-in-law’s) lawyers will have reached an agreement as to how she will live
if widowed: an income, and a place to live, which would normally be the Dower
House – a separate much smaller house on the edge of the estate is the ideal. If
there is no widow, the house can be used for other purposes (smuggling, crime –
we’ll be coming to that) until a claimant pops up. A grown-up son waiting to
inherit might live a semi-independent life there, later to swap with his
mother.
The widow will then be the Dowager Duchess as it might be –
though, interesting obscure fact**, only when her son is married and there is a
new duchess. The widow remains a duchess until automatically pushed out by her
daughter-in-law.
** interesting to me, anyway – I wrote a book on etiquette
and like to know the detailed lives of the posh people that I, on the whole,
despise.
If you watched the TV series Downton Abbey, Maggie Smith’s
character is the Dowager Countess of Grantham, and lives in a Dower House on
the edge of the estate.
No doubt some widows did not want to move out, and felt
they’d lost their place in life, but you might also expect that moving to a
small elegant house, easy-to-run, with a handful of servants and plenty of time
to go round interfering in local matters and giving unwanted advice – well, it must
have been nice and restful? It seems to have been obligatory to make your
daughter-in-law’s life a misery of course, one way or another.
There is also an idea that you could choose some of the
‘nice things’ from the big house to furnish your new home – without the trouble
of having the huge hideous heirloom pieces the new owners are stuck with.
A version of this is
key to the plot of Henry James’ The Spoils of Poynton – which in turn
plays a small but important role in Elizabeth
Taylor’s In a A Summer Season. (Kate’s former husband loved
the book: her new husband clangingly doesn’t recognize a reference to it.) In
Poynton, the dower house seems to be some distance from the Big house, a
maternal aunt’s bequest, not part of the main property, and her son thinks
this:
It wasn’t a place like Poynton
— what dower-house ever was? — but it was an awfully jolly little place.
Yeah, right, trouble coming. I will do a separate post on
this book.
Meanwhile in Lissa Evans’ most recent book for adults (yes watch out - there's a children's book coming from her soon...)
The
Divine Lissa Evans and her Small Bomb at Dimperley
--there is a Dower Wing (‘originally somewhat severe in aspect until the addition of a lavish High Victorian Gothic façade’) to the Tudor manor house and a tunnel between that and the kitchen. The family moves there when the building is commandeered during WW2. The tunnel is haunted (possibly explicably…) but not otherwise crime-related.
I was reminded of all this when I did a post earlier this
year on
The
Unknown Ajax by Georgette Heyer
Which features an excellent Dower House – an ancestor
imprisoned his wife there, and then murdered her by throwing her out of the
window. Her ghost still walks nearby. But that’s just the start of it – it
seems clear that certain people are hoping that the ghosts will keep people
from looking too closely at the Dower House, because….
… the Heyer book sowed the seeds for this particular (and
very popular) post. The Dower House is being used by smugglers to hide their
cargoes, and there is even a secret underground tunnel.
Heyer was not the only author to see the possibilities.
The
Dower House Mystery by Patricia Wentworth is
nicely upfront about it. This is a non-Miss-Silver book, and involves a
woman who can live in a Dower House for nothing, but only if she stays there for
six monhs and not a moment less. It is reported to be haunted…and off we go. Someone
or some thing, real or supernatural, is set on making life uncomfortable in the
house.
Annabel Davis-Goff wrote
three wonderful books about impoverished Irish aristocracy through the 20th
century
This
Cold Country by Annabel Davis-Goff
And one is called The Dower House – that just
happens to be a key setting in the book – ADG tells a great story that doesn’t
involve smuggling and crime.
Another Irish Dower House features in A Brush with Death,
one of Sheila Pim’s wonderful 1950s-ish
murder stories – Pim being one of my best found authors of recent years (thank
you Chrissie)
More
Irish murder, More Sheila Pim
In Enid Blyton’s Rockingdown Mystery
Enid
Blyton, mystery vs adventure, Rock and Rill
the usual busybody children are actually staying in a Dower
House for a holiday, and it is the now deserted big house where there are
sinister goings on.
This from my post: the children are told
‘there’s rooms there still full of furniture, left by the
last owner – my they’ll be full of moths and spiders. A strange, creepy place I
wouldn’t go into, not if you paid me a thousand pounds.’
The reaction is: ‘This sounded pleasantly eerie. The three children at once made up their minds to do a bit of snooping that very day.’ I love it that the children have zero qualms about breaking into the weird old house and making free of it – neither moral qualms nor a sense of self-preservation.
The oddly-named That Stick by Charlotte M Yonge is
one of her lesser-known works. There is a complicated family, where an outsider
unexpectedly inherits title and House (similar to the plot of Unknown Ajax,
which it does not otherwise resemble – except for the lesson that people should
not judge the heir before they meet him). The widow of the previous heir lives
in the Dower House - she is one of those
characters that CMY seems to admire, but not that appealing to a modern reader.
Her name is Adela, which is also the first name of the widow in Spoils of Poynton,
above.
There are no dower houses in Jane Austen – but I did
uncover a quite unexpected, and I think relatively unknown, short story by Margaret
Drabble, produced originally for a Jane Austen magazine:
The Dower House at Kellynch: a Somerset Romance
– by Margaret Drabble
(in Persuasions Issue
15 1993)
It has a contemporary setting, with familiar names:
Bill Elliot has let out the big house, Kellynch, and is
‘now camping out in the Dower House’. Narrator Emma Watson - who gets out the
baronetage to find out about the Elliots of Kellynch Hall - says:
‘I had never seen anything so
beautiful in my life. Pink peeling walls, grey-yellow lichen-encrusted stone,
single white roses, white doves.’
[published in collection called A day in the life of a smiling woman 1993]
There’s a GA detective story featuring a Dower House – The Ghost Party by Henrietta Clandon, which will have its own post soon, as will the Henry James book. Has anyone got any Dower Houses to add, or thoughts on the whole scenario?
Pictures of some rather attractive-looking real-life Dower Houses:
The
17th century Dower House in Tintinhull, Somerset | Flickr
Courtesy of photographer Angus Kirk
Byfleet Manor House (geograph 3492825) (cropped and squared up) - Dower house - Wikipedia photo by Mark Percy
Dean
Dower House - Dower house - Wikipedia By Rosser1954 Roger Griffith - Own work,
Public Domain,


_(cropped_and_squared_up).jpg)
Great topic! I too like a dower house and the tension between the present Duchess and the Dowager Duchess is such a great set-up for a novel. Can't at the moment think of anything to add to your comprehensive list. Chrissie
ReplyDeleteThis is a really interesting aspect of architecture, construction, and social structure as well, Moira! I've read about dower houses in several books (but you've mentioned far more than I could think of!), and I've always had a similar question to the one you bring up. How did the dowager duchess (or countess, etc.) feel about moving to the dower house when it was her time to do so? Of course, at the time, in a lot of ways it didn't really matter what she thought, but I still wonder about that. Trust you to come up with such a fascinating topic.
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