Murder Among Children by Tucker Coe
published 1967
Oh but this is a proper book, a real novel, a great crime story and one to remember.
Jim Noy over at Invisible Event blogged on it. In my comment on his (very much recommended) post I said ‘I have read Westlake books that I loved, and Westlake books that I threw across the room in despair. Hard to tell in advance which this would be’
Tucker Coe is one of the multiple pseudonyms of Donald E
Westlake. Brothers Keepers (2xposts
on the blog) is a wonderful book by him. His Parker/Stark
books are (to me) throw across the room examples. There you go.
But this short book was as good as Jim led me to expect. I
can’t just keep repeating what he said (bad blog etiquette) but I will quote
his opening line:
Would sir care for some
crippling sadness with his impossible crime?
As Tucker Coe, the author wrote several books about disgraced ex-cop Mitch Tobin: this is the second in the series. He is called in to help a distant cousin, Robin, a young woman who, with friends, is starting up a coffeeshop in the West Village of New York: very cool and trendy nowadays, back in 1967 not so much. (It is taken for granted that the coffee shop will fail, rather than turn into Central Perk). When Tobin turns up to see why a difficult cop keeps hanging around, he finds himself at the scene of a dramatic and bloody double murder. Young Robin is very much in the frame, because it seems no-one else could have got in or out of the apartment above the coffee shop. Reluctantly Tobin starts looking into the case, helped by the coffee-shop crew.
Having referenced the TV series Friends, it is almost more like an
Enid Blyton adventure – these are much-loved by both Jim and me, perhaps
that’s why we liked this one so much? The last thing you would be expecting:
the young people gather in the Tobin kitchen, and his wife gives them iced tea
and cookies while they talk about the victim and his contacts. There is even a
fat girl to take the role of Fatty from the Five
Find-Outers books. Vicki is ‘short and stout and dressed all in
black’, but although they are all seen as Bohemian Village types, she would ‘with
only minor changes of dress – and, probably, speech – fit right in at any rural
church picnic in the country.’ Later, a character says Vicki should work harder
in the café ‘sweat some of that extra lard off her’. We certainly hadn’t heard
of fat-shaming had we?
But Tobin focuses on Hulmer Fass, a very charming young
black man, supersmart and witty, who drives him around and eases the way when
he has to talk to black witnesses. Their relationship is a delight.
I’ve been looking at long-hot-summer
books and this is certainly one: the book is short, and takes place
over a couple of days, and you feel you are sweating through Manhattan with
them.
Tobin goes to visit a religious group who used to live in the coffee-shop building, and has fascinating encounters with the leader of the cult. He meets with some old friends of one of the victims, and talks to the pimp of another.
Westlake/Coe can create a vivid character in a few lines –
many people here are only in one scene, but they live on in your memory.
One associate, dressed in bright colours and drinking in a
bar, discusses the murders: ‘Oh the hooker! God wasn’t that a touch? Pure
Dostoievski’. He is in the book for around 5 pages but stays in your mind. He
says ‘I’ll wear my lemon-lime shirt. It’s short sleeves, yellow and green vertical
stripes. I doubt there’s be more than on such shirt in the [bar] in the middle
of the day.’
There was a strange description of the mother of Robin the
suspect:
‘She had dressed herself in the sort of clothing that wage-earner
wives buy themselves every fifth Easter, lavenders and pinks and plums which
fade and are somehow gray despite their colours before the last of the Easter
dinner leftovers are out of the refrigerator.’
I thought this was weirdly snobbish and strange, and so I
decided to give Rita an equally strange hat, a very abstract version but rather
splendid:
Top picture was taken in St Mark’s place in 1967 – from the
collection of a photographer called James
Jowers. His pictures of the time and place are great favourites of mine: I’ve
been using them since early days of the blog - recently in the post on after
Delores by Sarah Schulman. (and before you tell me, I know it’s East
Village rather than West Village, but I still feel the photo is right)
LOVE that hat! Looks like someone has run amok with powder puffs and a design developed from one of those strange rubbery swimming hats women used to wear - the ones that were covered in peculiar artificial flowers! The book sounds interesting.
ReplyDeleteI think you are absolutely right! I think the make-up firm Charles of the Ritz used their powder puffs to make it for an advert. But I love it, and think it would look good at ascot and similar...
DeleteI've read Westlake before, Moira, but not his work as Tucker Coe. This does sound like a great story, and I can see how it would appeal to fans of Friends and Enid Blyton. One thing I like about Westlake is his use of wit, and it sounds as though that's here, too. And what a look at 1960's New York!
ReplyDeleteHe's a very clever and funny writer even when I'm not sure of the content, but this one had everything, and - as you say - 60s New York a great setting.
DeleteMust read this. It sounds right up my street - and I love that top photo. Chrissie
ReplyDeleteI will keep it for you!
DeleteWow. That description of wage earner wives clothing is really striking. It doesn't actually SAY anything concrete but it really paints a vivid word picture/concept and I know exactly the kind of clothes, those "nice" flowery prints that seem to fade and discolour super quickly, in drip dry nylons and polycottons that are "practical" but don't seem to stay looking nice even as they "last".
DeleteYes, he does a great job of description when he wants to. I do know what he means, but it seemed, as I say above, a bit snobbish and sad....
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