Riddle of a Lady by Anthony Gilbert

 

Riddle of a Lady Anthony Gilbert

published 1956

 


This was recommended to me after my recent post on Secretaries in Books appeared, and indeed we do have here a Queen of the Typewriter in ‘a long unfashionable coat and a hat with a wreath of flowers round it.’. Miss Bainbridge works for Henry Greatorex, in a small town family solicitors’ firm.



Henry is a man of charm, very attractive to women, and completely, unabashedly selfish. He is about to land in big trouble…

He has been having a long-term one-night-a-week affair with a woman in the town. She is not in her first youth, but is strikingly attractive and a magnet to men. Henry thinks they see their relationship in the same light-hearted way, but he is wrong. Mind you, I wonder how much it would matter that he, a single gentleman, had had an affair with a woman of his own age? It is claimed that he would be ostracized, and unable to marry someone else, if his affair became public, but I don’t believe that… Even his brother says ‘there was never anything of the monk about Henry, and with unmarried men of his age it’s generally one thing or the other’ in a tolerant way.

Here is Stella getting ready in her jade wool dress:

Stella Foster put on her new green dress and contemplated the evening’s possibilities. Stella was that displaced person in modern social life, the deserted married woman who has never sued for divorce and is no longer in a position to do so. When Henry first met her, five years earlier, she had reminded him of one of the figures in Botticelli’s “Primavera.”

She attracted people, men in particular, as the sun attracts the bud. She couldn’t go into a saloon bar—at the Coach and Horses, say, or the Horn of Plenty—without someone coming along and wanting to buy her a drink. They were her version of the Women’s Institute, she said.

Here is Henry also getting ready to go out:

he reached home soon after five, poured himself out his customary glass of sherry, but a little earlier than usual, and changed his grey suit for a beautifully-cut country tweed. He pitched his silver-grey hat on to a shelf, and put on a soft chocolate-coloured monstrosity (the London brothers would have said) and, every inch the country squire, prepared for the evening.

 


Henry is cleverly-drawn – he is awful, but he is also funny and straightforward and has no illusions. I liked his breath-taking criticism of his brother who died in the Spanish Civil War:

He had never sympathised with Christopher, intervening in a fight not his own. What would the English think if a Spanish republican force landed on their shores to take part in a civil war? Well, that point at least didn’t arise. It took the conceited English to think up the Crusades, reflected Henry, turning into the High Street and marching along as if he intended to reach the end of the world.

 

I liked that ‘the end of the world’ here – Gilbert (really a woman called Lucy Malleson) can always surprise you with a turn of phrase or unlikely moment:

Here Mr. Saunders looked so much like a mixture of Shylock and Uriah Heep that the inspector wanted to hit him.

Henry’s nephew, very disapproving, goes to visit an associate of his uncle (this is quite an involved story) and is surprised by the welcome he receives:

“Anyone connected with you would be persona grata there, she implied.”

“Could you,” murmured Henry, “contrive to look a little less staggered by the discovery?”

We know Stella was very attractive because series sleuth/solicitor/wideboy Arthur Crook noticed her by chance one evening in the pub, so has a headstart in solving the mystery.

He wasn’t one for the dames, he would have told you, was no more moved by her feminine qualities than if she had been a lady baboon, but he knew trouble when he saw it.

He takes splendid offence at Henry’s early remark that he is

“out for lost causes.”

 “My causes,” Crook told him, unwontedly frosty for the moment, “soon get themselves found once I’m on the scene…”

And indeed we have every faith.

Crook says to one of the many men in the case: “you thought of her as a nice piece of homework. . . .” a phrase I had never heard, but now have found in three different books in quick succession. Here and here.

Although there isn’t a wide range of suspects, the detection is tight and enjoyable, I was almost there by the end but might have chosen the wrong one…

Anthony Gilbert did what she did very well, and I thought this was a fine example of the books. I am a big fan of Arthur Crook, particularly when he cuts through the snobbery and pretensions of the other characters.

There are a good few Gilbert books on the blog.

Green dress from NYPL.

Lady in coat and hat from the Imperial War Museum

Comments

  1. She is such good value as a writer and Arthur Crook is a great character. You've made me want to read her again. Chrissie

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  2. You must be right about the unlikelihood of Henry being ostracised for having an affair - more likely that Stella would be but by 1956 surely even women had a bit more latitude.

    Foreigners of various kinds used to turn up and take part in all our civil wars, IIRC! Though as we haven't had one recently this may have slipped Henry's mind.

    I don't seem to have read anything by Anthony Gilbert though there are a couple (Death in Fancy Dress and Death Knocks Three Times) on my list, and I shall add this one too.

    Sovay

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    1. I agree - Stella is the one facing consequences, and even for her, not too bad as she has already been married. I think the rules are relaxed as you get older and more experienced.
      This would be a good one to start on with Gilbert, if you are not bothered about reading them in order. (and no need to, no continuing storylines, just the continuing sleuth)

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  3. I agree with you, Moira, that Gilbert wrote well, and told a good story. I especially have liked the way she drew characters, and this is a good example. You make a good point, too, about whether or not Henry would have been ostracized. That's a commentary on the culture!

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    1. Yes, she is always a good read, and the sociological detail is a bonus.

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  4. She is such good value as a writer and Crook is a great character. You've made me want to read her again. Chrissie

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    1. Yes exactly, a perfect summing up. I love Crook, a real favourite.

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    2. Just read it and really enjoyed it. Henry is an intriguing character and I wasn't sure that he was as awful as all that - he does go and visit the chess-player in hospital. I didn't guess the murderer - but then I don't try much these days. I let the details of who caught which train and who knocked at the victim's door wash over me. I did love Miss Bainbridge - a great character.

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    3. Yes to all! I liked Henry because he was nuanced, he had a good side and a bad side, she resisted the temptation to make him 'secretly' a kind good person.

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  5. The "widow" goes alone to a bar??? What if nobody comes and chats? Can you read a book?

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    1. The implication is that she will ALWAYS find someone to chat to who will buy her a drink, and that she is sufficiently well-known locally for it to be acceptable...

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  6. Wasn't Henry besotted with a respectable much-younger woman, and was worried that she wouldn't marry him if she found out about Stella?

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    1. yes exactly, but again I thought not convincing. Even in the most romantic books, men are allowed (even encouraged) to have a past. In Heyer's These Old Shades, the older chap warns Leonie that he has had a busy past, and she says 'oh but I would so much rather be your last love than your first' which I think sums it up - as teenagers gulping down her books we thought this was exactly right and frightfully romantic.
      It is a weak spot in the book - it gives him a 'motive' but he is such an urbane, world-weary chap that it's hard to believe. A few times in Agatha Christie there is advice/pronouncement on the lines of 'all women are happy to believe they have converted a rake', and so men should go and confess a nicely edited version of the past but say 'but now that I've met you....'
      See also: Warren Beatty and Annette Bening.

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    2. I suppose that if the girl were equally besotted, she might believe she was Henry's "last love"! I didn't have much faith in his conversion to a one-woman man, though.

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    3. tee hee! Quite hard to imagine their future life...

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    4. I think the expectation is that the previous love should be far enough in the past that one won't risk running into her in pubs and restaurants when out with the new love - and in this case it sounds as if Stella might not be as willing as Henry to "edit" their affair.

      Sovay

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    5. Oh indeed - but there was the basic miscommunication - Henry was genuinely surprised that she didn't see the affair in the same way he did. Awkward.

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