The Dancing Bear by Peter Dickinson
published 1972
Where do the books come from?
Well. In this case, it would be hard to invent the CiB connections.
A theatrical mystery – Come to Paddington Fair by Derek
Smith – featured a stuffed bear as part of a stage set (and part of the
crime) and I was very pleased with the picture I found.
Stage
Door Enquiries - theatrical mystery and prop guns from Derek Smith
Blogfriend Christine Harding posted a comment
considering the incidence of bears in books, and of course the readers surged
forward to add to her suggestions, and a good time was had by all.
This one was mentioned (anon comment, but I think maybe
Sovay) and I idly looked it up – I’m a big fan of Peter
Dickinson’s crime books, and have also read some of his
children’s books, but not this one. And so I discovered that the book is set in
the time of the Emperor Justinian, 558 CE, and starts out in the vari-named Byzantium. Bingo!
This was all gone over on the blog last year – see this
post
for an obscure historical novel, and here for Robert
Graves’ Count Belisarius. So obviously I had to track
down a copy and read it. It is also true that I was utterly fascinated by the
idea of dancing bears when I was a child, and I would have LOVED this book if
I’d ever come across it.
One thing to get out of the way: to modern eyes the idea of
a dancing bear, in captivity for the entertainment of humans, is shocking and
cruel, and would not be tolerated today, and I have no argument with that
(though I don’t really understand why it is different from, say, riding horses for
entertainment, possibly putting them in danger?) But I am going to say that
this book is set 1500 years ago, and there is a lot worse going on, including
the fact that the main character, Sylvester, is a slave. So we are going to go with the flow and accept
it for what it was.
Sylvester is a bear-keeper and clerk in a wealthy household
in Byzantium, and a friend to the daughter of the house, the Lady Ariadne.
There is an attack on the city by Huns, and Ariadne is carried off. After a lot
of activity, Sylvester finds himself with Holy John – a saint and mystic who
usually sits on top of a pillar – and his beloved bear Bubba, outside the city
walls, off to find and rescue Ariadne. The book follows their very complex adventures.
I enjoyed it hugely, and as I say just regret not having read it earlier.
Peter Dickinson died 10
years ago, but luckily his website still survives, I’m guessing his family look
after it:
--and it is, btw, a model author site in my important
opinion.
This is part of Dickinson’s comments on the book:
I chose the period of the great Emperor
Justinian because one year when I was at Eton a last-minute emergency teacher
had had to be found to teach us ancient history, and he announced on arrival
that the only period he could teach was that of Justinian — five hundred years
later than the time of the great classic writers that was all we were supposed
to take an interest in…
Some of the book is true and some is fiction – the author
says he invented the specific raid by the Huns, and later found there had been
one exactly then. The characters shine out – Holy John is a hoot and a half –
and the bear is absolutely wonderful, and her relationship with Sylvester a
delight. The book is packed with action and adventure but also very funny and
charming at times.
There are extraordinary scenes such as the ones where the
bear is asked to walk over ill people, which was thought to make them better.
‘She danced to and fro across
the old woman, stepping on her several times, while the old woman shrieked and
hooted and [her son] yelled to his friends to come and see his mother being
killed, or cured, as the case might be.’
There are great descriptions of the bear dancing, of
travelling, of hunting (there is a splendid ‘demon huntress’).
Another recent community post was this one:
Compass
directions, a children’s classic, and is North best?
which began with a reference to the children’s book, Stuart
Little. I had a complaint or difficulty with that story, and feel I can say
(spoiler-free) that The Dancing Bear did not have the same lack of resolution.
Dickinson’s style, and the drive of the book, reminded me of Geoffrey Trease who also wrote excellent historical (and modern YA) novels
In the original comments I mentioned a bear anecdote from Nancy
Mitford’s Love in a Cold Climate, and here it is:
‘Sadie was telling how some
people, before their babies are born, gaze at Greuze so that the babies shall
look like it, and she said “You never know about these things, because when I
was a little girl in Suffolk a baby was born in the village with a bear’s head,
and what do you think? Exactly nine months before a dancing bear had been in
that neighbourhood.” So Vict. said “But I can quite understand that, I always
think bears are simply terribly attractive”, and Sadie gave the most tremendous
jump I ever saw and said, “You awful child, that’s not what I mean at all”’.
Pictures from the turn of the century, France &
England.
Another noted children’s author, Michael Morpurgo, also wrote a book called The Dancing Bear, published in 1994, which didn’t grab me - rather unfairly, I didn't like it because it had an unconvincing contemporary setting. It sounded like Heidi to begin with, an orphan girl with a gruff grandfather somewhere like a French mountain village? Maybe Swiss? Becomes friend and protector to a bearcub, Bruno. Then a film crew is coming, so I thought maybe 1930s. The director wore a purple fedora -
- I admired that idea very much. Then there was a startling
mention of George Michael, and the revelation that the film was a pop video. I
thought the story sat awkwardly among these different aspects, and it didn’t
work for me though others plainly love it.
Go to the comments on that previous post to find more books featuring bears.
Country Circus Troupe with Dancing Bear from Balkans, on T… | Flickr
File:Carte postale, Poussay (Vosges), Nomades montreurs d'ours.jpg - Wikimedia Commons
File:English
dancing bear.jpg - Wikimedia Commons



The character names are hilarious (especially Bubba as a female)!
ReplyDeleteWell Bubba didn't have any modern-day US implications in the sixth century!
DeleteI'm not the Anon who mentioned this book, though it sounds interesting - I have read some of Peter Dickinson's work for young readers, but as far as I recall only the "Weathermonger" series. I did mention Aubrey and Maturin in one of Patrick O'Brien's books, walking through the Pyrenees disguised as a dancing bear and its keeper respectively - the English dancing bear photo could be them, if photography had been around c. 1812!
ReplyDeleteModern concerns about dancing bears focus on the methods used to obtain the bears and train them to "dance" - not exactly humane by all accounts.
Sovay
We'll have to see if someone else claims credit!
DeleteYes I remember the O'Brien reference - someone else has suggested that online.
I don't at all argue that bears are NOT treated badly - but I am always mystified by what seems to be acceptable treatment of animals. I am not a strong animal-lover, or fighter for animal rights, but I am interested in the logic of it. And do believe that our treatment of animals reflects on us.
I haven't read Dickinson before, Moira, I must admit. I know I should. I have to say, I do like historical fiction, and this one takes place against such an interesting backdrop! And now you've got me thinking about bears and other animals (that aren't pets) in crime fiction. Hmm.....
ReplyDeleteOh Margot go for it - you would do such a good post!
DeleteAnd I think you would like Peter Dickinson's crime books
I think I was the Anon who mentioned The Dancing Bear. I sometimes turn up as me. sometimes as Anon and sometimes as Rawdon Crawley and forget to check and correct which. If I remember rightly, Ariadne falls in the cub Bubba's pit as a baby and Bubba does not harm her. In gratitude her father does not mutilate Bubba, which is the way dancing bears are usually treated.
ReplyDeleteIf you want to look at horses, Robert Bontine Cunninghame Graham, who I mentioned in connexion with South America, was an admirer and enthusiast of horses and felt guilt for the rest of his life for his part in recruiting them from South America in WWI
- Roger
Dickinson also wrote poems including (as far as I know) the only Sonnet on the Sonnet on the Sonnet
ReplyDelete'Scorn not the sonnet' (Wordsworth)
Scorn not the sonnet on the sonnet, critic;
It is a bank where poets love to lie
And praise each other's ingenuity
In finding such a form. The analytic
Reader may stigmatise as parasitic
The mirror-image of a mystery,
The echo of lost voices, find it dry,
And intellectually paralytic.
Yet 'tis a child of Fancy, light and live,
A fragile veil of Nature, scarcely worn
(Of Wordsworth's two, of Shakespeare's none, survive);
Empty not then the vials of scorn upon it.
Nor, since we're on the subject, should you scorn
The sonnet on the sonnet on the sonnet.
I look forward to a sequel.