Dame Beatrice Let Loose in Greece

Come Away Death by Gladys Mitchell

published 1937




 

Come Away Death is a great favourite among a sector of Gladys Mitchell fans, and is quite an unusual entry in the oeuvre. Regular sleuth Dame Beatrice Adela Lestrange Bradley joins some old friends in Greece to travel around looking at archaeological sites and the myths that surround them, travelling also in to Turkey/Turkiye. There is a death, but it comes very late on, which some readers object to – I don’t myself mind.

Mrs Bradley has known the core family for some time – parents and children ranging from school age to grownup – and for the expeditions they have surrounded themselves with a very Mitchell-ian collection of other people: feuding academics, lovestruck young men, driven young women, schoolboy friends, and of course people who are up to no good. There is a collection of accessories to the various trips on ox-carts – boxes, snakes, statues, a severed head.

‘We are going first to Eleusis, Beatrice; from there to Epidaurus, to see what we can do with the Aesculapius cult – the god of healing – thence to Mycenae for the Homeric offerings, then back here again before we cross to Ephesus, unless it seems better to return to Nauplia and take a boat from there. At Ephesus, of course, we revive the Artemis worship.’ 

Mitchell certainly creates a convincing world: the dusty travels, boat journeys, the primitive accommodation and rough countryside:

Mr Dick fell into the excavations and nearly broke his neck…. ‘That damned fool Dick upset the auguries by falling into that hole last night and scaring the cow’.

And other ongoing troubles:

the nonsense about the second Iacchus, and the fiasco of the snakes at Epidaurus

There are moments of glory amid the difficult times:

But at dawn, and, even more, she knew, beneath the hot noonday sun, Mycenae came into her own. Her tragedy and her greatness loomed like battle on the landscape. The walls enclosed the dead, and the great excavations, where Schliemann had kissed the gold death-mask of Agamemnon, yawned like the graves that they were.

There is a low-key fevered atmosphere of sex, if such a thing is possible.

‘I also,’ he said, addressing himself to Mrs Bradley, ‘I also am immoral with women.’

‘I have no doubt of it,’ replied Mrs Bradley, in the tones of congratulation he seemed to demand.

And all the young people are running wild:

‘I thought boys got over tobacconists’ daughters whilst they were still at college, but apparently I’m wrong, because Gelert hasn’t.’

‘He hasn’t been swine enough to tell you all about her?...I call that damnable to borrow money from his sister for such a purpose!’ [ie to pay off the young woman]

‘Oh, Ronald darling, don’t be a fool! Boys always have borrowed money from their sisters for such a purpose, and jolly glad the sisters are, too, usually.’

[Interestingly, I had just been reading Fanny Burney’s Camilla, where, exactly, a young woman gives her bro money for his similar troubles nearly 150 years before]

This next passage might be a slight

 

SPOILER


but only if you were half-way through the book. It has the true Mrs Bradley touch:

‘The thing I can’t understand is why they haven’t discovered the body before this! ….One reads these horrid stories of corpses left in luggage, and someone’s suspicions always seem to be aroused.’

‘Ah, that’s at Charing Cross,’ said Mrs Bradley. ‘Ephesus isn’t a bit like Charing Cross, in spite of all that poets try to tell us. I didn’t find the body there, although I looked for it. I found the head, as I told you. It really was all that mattered.’

The book starts with arrival at Athens/Piraeus, and I did wonder how often Mitchell was going to mention sewage [answer: 4 times in the first two pages, one more time later in the book] but things picked up after that.



I enjoyed the Agatha Christie books set on archaeological digs – Murder in Mesopotamia, They Came to Baghdad – and this is of course very different (and not just because Iraq is not Greece or Turkey). But I liked the same air of the lost world of the 1930s and a more leisurely time. Nobody has any qualms or questions about what they are doing, the ethics of digging up someone else’s country and removing artefacts.

And the text meant I could find some nice pictures:

Library of Celsus at Ephesus, Salt Research

…He went to the library of Celsus, where he climbed the steps, and put his hand in the niche which once held a statue of Minerva…

And then this:

She stood before the Stele of Aristion, contemplating, not only the greaved and kilted warrior with his curled locks and long, straight feet, but the imaginary spectacle of Sir Rudri walking with torches in the dusk of the Greek evening, chanting strange hymns and sorrowful litanies to the Eleusinian gods Iacchus and Dionysus, and to the goddesses Persephone and Demeter, and to the god-king Triptolemus.

 


As ever, if you are interested in Gladys Mitchell’s books, you must visit The Stone House tribute site, a most wonderful website with plenty to say about this book and all the others – an incredibly helpful resource.

Top picture: Archaeologists Theodore and Josephine Shear with statuette of Apollo Lykeios, 1936, from the Smithsonian.

Comments

  1. I owe you and Philip Larkin enormous gratitude for introducing me to Gladys Mitchell. Like Evelyn Waugh with Henry James: "What an enormous, uncovenanted blessing to have kept Henry James for middle age [all right, old age with Mitchell!] and to turn, as the door shuts behind the departing guest, to a first reading of Portrait of a Lady."
    The choice of mature literature to discover probably reflects the difference between me and Waugh.

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    1. What a lovely comment, thank you for the kind words.
      And what a fabulous quote from Waugh, I've never seen that before.
      Henry James has been with me all my life, BUT huge variations in what I enjoy from him over the years, it has changed a lot. Wings of a Dove is my best James.

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  2. I’ve read and enjoyed this one – IIRC, unusually for Gladys Mitchell the plot comes within a toucher of making sense as long as one starts from the premise that many of the dramatis personae are in some degree mentally unbalanced.

    Sovay

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    1. What an excellent description of the book and plot!

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    2. The expedition should have packed a box of frogs on its ox cart, as well as the box of snakes ...

      Sovay

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    3. Surely all of the dramatis personae in Mitchell's books are in some degree mentally unbalanced, especially Dame Beatrice, who makes up her psychology/psychiatry as she goes along. A partial exception is The Rising of the Moon, with its portrait of Brentford before London swallowed it, and the depiction of the effects of losing a mother on young children and odd but convincing family dynamics.

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    4. That made me laugh, and yes true. The Rising of the Moon is one that I recommend to people asking where to start with Mitchell, and I was particularly happy with the post I did on it.
      https://clothesinbooks.blogspot.com/2021/05/gladys-again-rising-of-moon.html

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    5. Gladys Mitchell isn’t generally the author to go to for sanity but the characters in “Come Away, Death” are even madder than usual. IIRC Sir Rudri’s wife is keen for Mrs Bradley to go along with the expedition because whilst she doesn’t THINK he’d actually go in for human sacrifice, she’d rather have Mrs B keep an eye on him just in case he gets carried away in his reconstruction of ancient rituals …

      Sovay

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    6. Yes exactly, there is definitely a pleasing air that anything can happen, present in most Mitchell, but in spades here...

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  3. As I was reading your post, Moira, I was thinking about the world that Mitchell portrays here, and how different it is to our world of travel now. You're right about the pace and about the attitude towards antiquities. I love that passage about Mycenae; it's evocative, at least to me. And it's so interesting to see the difference between the ways that Mitchell and Christie depict that part of the world.

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    1. Yes indeed. I think she gives a really good picture, and you can imagine that is what the places were like - overlaid of course with her usual outrageous plot. I wonder if Christie and MItchell ever discussed together their travels in those areas?

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  4. I bought the first book in the series several years ago and was disappointed (although it had many of the elements I like, including a house party) but this one sounds much more appealing. I will keep my eyes open for it.

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    1. Ha! I was just looking at and updating my list of which Mitchell books I had blogged on, and remembering that I didn't enjoy Speedy Death, and thus didn't blog on it.. I could have warned you! Do try another if you have time, there are plenty of good ones.

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    2. “Watson’s Choice” might be worth trying – it features a house party with Sherlock Holmes-themed fancy dress – and “Laurels Are Poison” is another good one, set in a teacher training college. Both have pretty coherent plots (coherent for Gladys Mitchell, that is) though “Laurels are Poison” doesn’t involve either laurels or poison in any way.

      I also remember enjoying “Death and the Maiden” very much even though its plot makes absolutely no sense whatsoever …

      Sovay

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    3. Good choices Sovay - and all on the blog.

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  5. I remember being fascinated when I visited Epidaurus by the treatment for mental illness which I seem to recall involved being lowered into a pit of snakes! I could imagine it working as a kind of shock treatment. Does Mrs Bradley mentioned it? Haven't read this, but definitely on the list now! Chrissie

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    1. I don't think so, though you'd think Mrs B would love it! I did enjoy this one.

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  6. Can you list the handful of GAD mysteries that have the same plot twist as Speedy Death?

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    1. Hah! I'd have to think hard. One leaps to mind by Brian Flynn, and much later (ie non-GA) Ruth Rendell (they both wrote so many books that that is not a spoiler). Has anyone made such a list...?

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