Poor Dear Charlotte by Anabel Donald
published 1985
I very much enjoyed recently re-reading Anabel
Donald’s Notting Hill mysteries: I had also read a couple of
her straight novels in the past, but not this one. So I gave it a go.
And what a strange book it is, and not one you would
associate with the private eye stories of Alex Tanner.
It is a book of two halves, each equally unlikely-seeming.
When we first meet Charlotte she is a teacher in a private
girls’ boarding school in the Cotswolds. It sounds more like a place from the
1950s to be honest. She goes on a schooltrip to the Baltic states and the
Soviet Union (as it then was) with some tourist details shoehorned-in from time
to time: ‘the docks were clean, tidy, unused; several Swedish ships with yellow
markings were moored in front of a half-ruined castle’ – for no reason and
completely irrelevant. Meanwhile we learn of Charlotte’s horrible childhood: abandoned
to an awful father by her mother and brother, and living in Norham Gardens,
where all Oxford fictional children live in my extensive reading. She has a phobia
about men, but now, on this trip, is trying not to fall in love with the new
headmaster of the school.
Then they all go back to school, and term meanders on for a
bit. And then Charlotte is caught in a compromising position in a stationery cupboard
with the headmaster, in a bizarre story (as a reader of many a crime story
featuring cupboards, I read this over to try to work out how they were caught,
but it was just ridiculous). She resigns before she can get sacked, and heads
off to London.
Here she finds a flat, gets in touch with her lost
relations, gets a job with her brother’s company creating popstars, and starts
trying to navigate a lovelife and get over her phobia.
You can imagine it all as a 1960s film starring Julie Christie being breathy and swinging her hair around - sexy in her boring teacher clothes at first, then moving on to miniskirts. But it just didn’t seem very 1980s.
But then – almost my favourite thing about all this was
reading an Amazon review of the book which says ‘a terrific novel. I know the
original of the heroine’. So much for me and my judgements.
And anyway, I am guessing it is meant to be somewhat unreal
– contrast? And rather Alice in Wonderland-ish: and in that trope of innocent
girl in the big city learning how to enjoy life.
But as someone who lived through the 1980s, and read an
awful lot of books then, I found it most strangely completely unattached to the
real world, and very little of it rang true – though I did like the ‘coma girl
being sung to by a popstar’ – very much a feature of the era. Splendidly, the
cameraman recording the moment complains that the hospital room is “bloody
useless… Everything’s white. White walls, white sheets.”
And there’s a teenage aspiring singer whom Charlotte goes
to for advice:
‘it’s about a man.’
‘It always is. If he never
takes you out he’s married. If he only takes you out he’s bent. He won’t get
you an audition or a recording contract. If he says he’s had a vastectomy,
check the scars…. Nerves are great passion-killers. Relax.’
I thought that was excellent - funny and relatable. But then there were sentences like this:
The flat… had something of the
naively meliorist quality of a colour supplement, as if an AB consumer, his
Guardian-reading wife and 2.4 computer-using children would pop up from a Human
Body book and disport themselves.
It was Anabel Donald’s first novel, and it is hard to
imagine an agent-publisher pulling it from the slush pile and saying ‘Yes this
one!’
But it was very readable, I dashed through it.
I want blogfriend Lucy R Fisher to read it too – her perceptions
on the era and books like this are always valuable.
And Donald's later books were very good, though SO different
from this one.
Hannah at 35 is subtitled ‘how to
survive divorce’ which about sums it up – it is similar to many other books but
nicely done.
In 2002 she wrote Be Nice, an updated version of
Lord of the Flies, featuring young girls.
Top picture is from a knitting pattern by the Queen of 1980s sweaters, Patricia Roberts.
Other pictures from a 1985 fashion magazine – 2 for Charlotte,
one for the aspiring popstars. I have left the prices in so you can see how
much things cost. These were probably quite good quality items, but you could
certainly match those prices in modern-day Primark.
Click on the tag below for other Donald books.
This does seem like a very...odd sort of book, Moira. In one or two places, I almost thought of a dream sequence. Hmm.... And yet, if it's readable and has some interesting aspects to it, well, why not?
ReplyDeleteA very good way of putting it. I did have issues with it, but it did pull me in.
Delete1980s knitwear is so instantly dateable! Big, square and hugely patterned - very difficult to update, though I have knitted one or two cushions based on 80s sweater patterns.
ReplyDeleteI haven't come across Anabel Donald - drawing a blank at both local libraries ...
Sovay
Open Library has it, along with some of her other books.
DeleteSovay: a lot of 3-D elements in the knitting, and all those squares of colours. So very identifiable, as you say, and some of it very attractive. I was flicking through a book collection, and saw very little that I would consider knitting (adapted or not) but I did love looking at them. And the styling of the models was excellent, and very much in era!
DeleteMarty: thanks for the tipoff.
Waiting for copy to arrive - I used to get "You knit? You must try Patricia Roberts!" as if there were no other knitting patterns. But like Kaffe Fassett, they were acceptably middle class. I didn't like Patricia Roberts - her garments were very fussy, with peplums and bobbles. I started one with a basket-work peplum - and gave up.
ReplyDeleteI made a gorgeous fairisle from Patricia Roberts - but in a way that was't typical of her at all. I just found a stash of her knitting patterns, and as I say above: don't want to make them, but great for the blog! Bring on the 1980s books.
DeleteVery much look forward to hearing your opinion of the book.
I remember Patricia Roberts but never tried any of her designs - most of my knitting patterns of the time were from a German textile crafts magazine ("Anna") which a friend of my mum used to pass on to me. One day I shall knit a Kaffe Fassett design though - probably when I retire and have the time to weave all those ends ...
DeleteSovay
I dabbled in both Roberts and Fassett: I did love the colours. I'm trying to remember another designer I liked, who did jumpers with scotty dogs, rows of birds or flowers... I made a beautiful sweater, navy with rows of multi-coloured pansies, which I still have and still wear...
DeleteIf another knitter was admiring it, I always wanted to show them the inside, because I was so proud (and surprised) by how neat it was - and a true knitter would be suitably impressed.
Could it have been Kaori O'Connor? I think she specialised in colour-work designs in the 80s.
DeleteSovay
No that's not her, but am definitely off to look her up!
DeleteIt was Sasha Kagan - a distinctive style, worth taking a look at images
DeleteI'm afraid the ONLY thing that appeals to me from above is the 80s sweaters. I loved (and still do) the sweaters that abounded then, generous, colourful, comfy, with designs going every which way. I still have some magazines with those flamboyant patterns. Along with the big hair. (Though a big NO to those horrible shoulder pads).
ReplyDeleteI have a lot of pictures of them now, so expect to see more! They do make for a good picture, and so very specific in their era. Your description is a good one.
DeletePerhaps one that you've read so that I don't have to. Oh, those clothes .... Chrissie
ReplyDeleteVery much so I think Chrissie. Something very cheering about the jumpers at least, but the fashions were all over the place.
DeletePoor Charlotte is not mentioned in the blurb to my copy of Destroy Unopened, it just says her first novel ,Hannah at 35,was published to 'great acclaim' in 1982 so maybe she wasn't keen on Charlotte. The Notting Hill books are so evocative of 80s London, so pleased you introduced them on your blog and I still hanker to know what Alexis' Comme des Garçons wedding dress was like.
ReplyDeleteOh that's interesting, that she was quietly ditching it. But yes, the Notting Hill books are the stars - fantastic snapshot of a moment, a place, a way of life.
DeleteIt's not the same style, but in the 1980s I knitted a jumper with dishcloth cotton - I think the pattern was in Cosmopolitan, and it probably seemed the last word in edginess! But better was the jumper I made in cotton yarn, horizontal stripes in ice cream colours...
ReplyDeleteCotton yarn was suddenly everywhere in that era - some lovely summer tops, but other patterns that weren't really suitable for cotton: it's very different from wool.
DeleteI made a top in a cotton tape yarn, I really liked working in it, and the top was lovely. Your ice cream stripes sound lovely. 'Neapolitan' is what I would say, for the ice cream, but younger people won't know that...