published 1954
It was late afternoon before they finished the Christmas
tree, and it was growing dark. They lit the old red Chinese lantern and many
candles so that they could see to work. There were no glaring electric bulbs on
this tree. Mrs Oldknow had boxes of coloured glass ornaments, each wrapped
separately in tissue paper and put carefully away from year to year. Some were
very old and precious indeed. There were glass balls, stars, fir-cones, acorns
and bells in all colours and all sizes. There were also silver medallions of
angels. Of course the most beautiful star was fixed at the very top, with gold
and silver suns and stars beneath and around it. Each glass treasure, as light
as an eggshell and as brittle, was hung on a loop of black cotton that had to
be coaxed over the prickly fingers of the tree. Tolly took them carefully out
of their tissue paper and Mrs Oldknow hung them up. The tiny glass
bell-clappers tinkled when a branch was touched. When it was all finished,
there were no lights on the tree itself , but the candles in the room were
reflected in each glass bauble on it, and seemed in those soft deep colours to
be shining from an immense distance away, as if the tree were a cloudy night
sky full of stars. They sat down together to look at their work. Tolly thought
it so beautiful he could say nothing , he could hardly believe his eyes.
commentary: This is a much beloved children’s book, and one I was
exceptionally rude about earlier this year. I couldn’t find the magic in the
book, on the whole, but I did love this description of decorating the Christmas
tree. So I will present it unadorned, without any of my mean-minded comments.
The picture shows extra children, but that isn’t
unreasonable, as there are a lot of child ghosts hanging around Green Knowe.
And it’s just a lovely picture anyway –
it appeared in the French fashion magazine La Gazette du Bon Ton in 1914, and
is from Wikimedia
Commons.
It is a lovely and vivid description, Moira. What I like about it is the way the magic of the season (at least for children) comes through. It really puts you right there, I think.
ReplyDeleteYes I agree, and I think the picture does the same - even old curmudgeons can get a Christmas-y feeling....
DeleteMoira, less is more on a Christmas tree, I think. I'm always confused as to how far one should go with the decorations. It shouldn't clutter up the tree.
ReplyDeleteIt's a question isn't it Prashant? Part of me wants tasteful, and part of me thinks we should be like children and go overboard with the sparkle and tinsel.
DeleteI do love how the children in the print appear to be wearing clothes from different eras too. Very apt!
ReplyDeleteExcellent point. I just loved the picture, but of course you are absolutely right....
DeleteWe don't decorate much for Christmas anymore, but having a Christmas tree with handmade ornaments was always a fun part of the season. And listening to Christmas carols, religions and otherwise. I grew up in a very religious household and I still love the feelings that Christmas carols evoke.
ReplyDeleteWe need all those cheery traditions to lighten up our winter I think....
DeleteAvoid!
ReplyDeleteThis one really was 'just look at the picture'...
DeleteI think this extract illustrates some of the magic of the book. It is the story of a lonely and neglected little boy: his mother is dead, his father lives abroad (in India?) and is remarried to a woman who finds the idea of a little boy in the house a nuisance, so Tolly usually spends all of his holidays at the boarding school - this is the first time he is invited to spend Christmas with someone who is family. This is heartbreaking, as is Tolly's wary attitude to the new place and the new person in his life, but very delicately and unsentimentally handled. My heart goes out to Tolly every time I read it. And then there is the magic of the house itself - the oldest inhabited house in England. It would be magic to me (in fact it was absolutely magic when I visited it, but that is another story) but to Tolly the house and everything and everyone in it is breathtakingly wonderful. You can sense how he hardly dares breathe for fear it is all an illusion. And as if that was not enough there is the connection with the children from the past and the tragedy connected with them, which is handled as unsentimentally and matter-of-fact-edly as is Tolly's situation. Oh, how can you not love it?
ReplyDeleteBut then, very old houses and time travel are two of my favourite obsessions, so that obviously helps to start with.
You do a very good job of explaining its wonders, it is so nice to hear how much you love it.
DeleteI am just very resistant to big old houses and lovely servants in thrall to one family. They bring out the grudging commie in me...
Love that picture though, I must use it again!