published 1943
LOOKING AT WHAT GOES ON UNDER THE CLOTHES
AFTER LAST WEEK’S LIST OF WARTIME HOMEFRONT BOOKS, AND THE COMMEMORATION OF THE VE DAY 70TH ANNIVERSARY, THE BLOG IS FEATURING SOME WARTIME AND POST-WAR BOOKS
[Jean Abbott is being questioned by police after the murder of a maid in the English house where she is staying for the weekend.]
‘Did you happen to notice the girl’s hosiery? Stockings, so to speak? Very fine American ones, I believe.’
‘Yes. They looked very nice.’
‘You gave them to her, possibly?’
‘I? If I had a pair of that quality I would keep them in a bank!’
Oh-oh. I shouldn’t have said that. His round face, for an instant, had a ferrety look.
‘Indeed?’
‘That was just a crack, Inspector. They are nice, but we Americans have always had good stockings.’
‘Elsie,’ said the inspector, ‘is not American. And in her position in life - ’
That expression, used often in England, always irked me. I had grown up in a country where fine stockings can be had at a reasonable price, so that any girl with any kind of job could have them if she chose.
When I attended again, Yates was saying, ‘Americans are known to be generous, so I assumed, rather, that you had given the girl the stockings. It is of no importance. I’m sorry I mentioned it.’
observations: This is all well and good: our feisty first-person narrator is fond of comparing class-bound England very unfavourably with the highly democratic USA. But, quite a lot of the plot hinges on the stories of two other young women in the house. Both are American, and both have been constrained in their lives because of lack of money and background. Somehow the US classlessness hasn’t worked for them. One of them has had to decide to marry money in a very hard-faced way, and makes it clear that she struggled for years to learn how to pass in her new place in society. The other one ended up wasting her talents for lack of opportunities. It seems bizarre that Mrs Abbott is still convinced she comes from a classless society, even when a potential bride (yes, American) is being assessed by her countrymates in terms of her background, her money, and whether she is perhaps ‘not quite quite’. Not a very classless phrase?
But all this fades into insignificance compared with some of the other problems of the book.
When I wrote about references to stockings in books a while back, my good blogfriend Noah Stewart mentioned this book, in which stockings feature quite a lot. Oh, I said, I must read it. Weeelll, he said – he has, hilariously, a category called ‘Books to Die Before You Read’, and this book belonged there, he said. Of course I read it anyway, and enjoyed it hugely while still agreeing with every one of his criticisms, and adding a few of my own.
In fact all readers should read Noah’s review, which is complete and very amusing – though NOT spoiler-free, it is aimed at people who have read the book or don’t intend to.
Jean Abbott and her husband sleuthed their way through a number of books – Thirteen White Tulips is on the blog here – but it’s surprising how feeble Jean is. According to a fascinating biographical introduction in the Rue Morgue Press reprint, Crane was an independent feminist woman, so it’s a shame she didn’t make Jean more so. In this book she is shown (apart from her lack of logic in the class struggle) as a complete idiot, who gets in the way, can’t work anything out, and at one point appears to be willing to commit perjury to help someone whom she ‘just knows’ can’t be guilty. She constantly states as fact things that she is merely guessing, and she also objects to people saying thank you. It’s quite surprising she wasn’t a murder victim.
There is one really stupendous moment in the book: when the murderer is discovered, this person apologizes for having murdered two household servants: ‘I’m sorry about the others. Maids are so hard to find now. It will be so hard on you.’
Also on the plus side: the book is very short, and Crane tells you always what everyone is wearing. And the atmosphere of a country-house visit in wartime is very well done. And actually - surprisingly related - the business of the stockings is given considerable importance, and there is a very good explanation at the end of what was going on there. (Almost everything else in the plot is either screamingly obvious or outrageously nonsensical.) I can quite see I am going to read more in this series, and endlessly complain about them.
You know, Moira, the minute I heard Jean go on about America's classless society I started to dislike her. I'll just leave it at that. And honestly, this doesn't sound like my sort of book. Still, I do like the setting and context. And the era is fascinating too. But...nope - not going to succumb, I don't think.
ReplyDeleteI can't say I'm going to try to persuade you Margot!
DeleteThank you, as always, Moira; you're very kind to refer people to my review. I still think it's a very silly book and the ending explanation of the stockings is a sell. I'm wondering, as an expert on clothing and social mores, if you garnered more than I did from descriptions like the French blue suit worn with the cherry-red sweater. I frequently feel as a male that there are tiny bits of sub-text I'm missing, to which women are acutely attuned ... the colour combination seems a bit vivid to me, but what Crane might be trying to say about her personality I have no idea. And there's a number of examples of this in the book.
ReplyDeleteGood question Noah. I think sometimes it's just for background interest - like describing a building - but also sometimes we are meant to see that a woman is well-dressed, or dresses in an extrovert or introvert manner. I don't think there's any deep significance in this book, but in another of the books there is a vital detail about the accessories - showing that someone changed their clothes, or that timing is wrong: it was quite cleverly done as I recall.
DeleteI tried to find one of the Frances Crane books for 1949, but the one I found was too expensive. (That was actually true of all the books I looked for, very strange.) I have only read one of the series and will try more, at least in part because some of them have great covers. But I will admit that I found Jean very dim in that one. I would prefer my female sleuths that are part of a couple to have more oomph and use their intelligence. But the ones I have read have been about in this time period. But the author is a woman. Oh well.
ReplyDeleteI went and looked up which one you did Tracy, and as soon as I saw it remembered that it featured those wonderful photos of New Orleans, they amazed me all over again! And yes I agree with all you say about Jean - so annoying, you'd think Crane would have more female solidarity.
DeletePam North suffers a bit fr the same 'adorable' dim wittedness. I can't remember the book, but in one scene she nearly leaves the apartment naked, because she forgot she wasn't wearing any clothes. Wait. I think she was wearing stockings and nothing else.
ReplyDeleteThanks Elizabeth - that's hilarious - if rather annoying and most un-adorable.
DeleteProbably won't be seeking this one out, surprised? I doubt it.
ReplyDeleteNot surprised, and you get a pass on this one....
DeleteBooks to Die Before You Read - BEST CATEGORY EVER.
ReplyDeleteI know, makes me laugh every single time I think of it, and every time I add something to my own list....
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