The Galton Case by Ross Macdonald

The Galton Case by Ross Macdonald

 

published 1959




 

[excerpt – Lew Archer visits a bar/club]

The Listening Ear was full of dark blue light and pale blue music. A combo made up of piano, bass fiddle, trumpet, and drums was playing something advanced. I didn’t have my slide rule with me, but the four musicians seemed to understand each other. From time to time they smiled and nodded like space jockeys passing in the night. The man at the piano seemed to be the head technician. He smiled more distantly than the others, and when the melody had been done to death, he took the applause with more exquisite remoteness. Then he bent over his keyboard again like a mad scientist.

 

comments: I was talking recently about Annoying Detectives and many people were wondering about the opposite, the favourites. And Ross Macdonald’s Lew Archer is very much the antithesis, he is one of the least annoying detectives there is.

Mind you, Archer changes during the series, and so does the moral framework. In the early books he is quite violent, a tough guy, not particularly nice, and not really thinking about the effects of what he’s doing. In those books he is always being knocked out, and picking fights – not later on. And I like to say: in the early books you would NOT trust him with your daughter, later he’s the man you would want looking after her. He is almost gentle – tough when he needs to be, but he doesn’t start it.

When I appeared on the Tipping my Fedora podcast recently, Sergio Angelini and I discussed all aspects of Macdonald at length – so if you want more you know where to go.

Tipping my Fedora – Ross Macdonald




This particular book is agreed to be the turning point – where Archer and/or MacDonald becomes a serious player, a literary character, someone with stories to tell who stands out from the competition. He is about to go into a run of books which are startling, and startlingly good

8. The Galton Case (1959)
   9. The Wycherly Woman (1961)
   10. 
The Zebra-Striped Hearse (1962)
   11. The Chill (1964)
   12. The Far Side of the Dollar (1965)
   13. Black Money
 (1966)
   14. The Instant Enemy (1968)
   15. The Goodbye Look (1969)
   16. The Underground Man (1971)
   17. Sleeping Beauty (1973)
   18. The Blue Hammer (1976)

 

It seems there is a reason for that –The Galton Case has the very Macdonald-esque features of impersonation, lost sons, inheritance, miserable childhoods. It is grim but well-done. And apparently Ross had fought and struggled with the story, because it used elements from his own childhood – abandoned by his father, a mother struggling, constant moves and no money. The author tried many ways to write it, including having the boy as a first-person narrator before finally - and grudgingly – accepting that it was an Archer book and must be written as such. So perhaps he worked his way through his haunted past. He couldn’t then forget it, and elements of it appear in most of his books, but maye he had found a way to cope with it.

This is one complex plot: I might recommend you look at the Wikipedia page for it – which, warning,  fully spoilers. But - I’ve read the book twice in the past 18 months or so, and I still could make very little of the description of the plot there. I think you just have to give yourself over to the book.

Not many clothes in this one:



A pretty blond woman about half his age emerged from behind a banana tree in the court. She was wearing jeans and an open-necked white shirt. She moved with a kind of clumsy stealth, like somebody stepping out of an ambush.

(Note that in UK English usage, this would be blonde-with-an-e)

And there is also this excruciating father/daughter exchange:

The doe-eyed girl from the badminton court appeared in the doorway behind him. Her body was like ripening fruit, only partly concealed by her sleeveless jersey and rolled shorts. She glowed with healthy beauty, but her mouth was impatient: ‘Daddy? How much longer?’

The color on his cheekbones heightened when he saw her. ‘Roll down your pants, Sheila.’

‘They’re not pants.’

‘Whatever they are, roll them down.’

‘Why should I?’

 ‘Because I’m telling you to.’

 ‘You could at least tell me in private.’

 


We know a lot about Macdonald’s private life, along with his wife, Margaret Millar, and they had endless troubles with their daughter Linda. The simplistic view might be that the wayward sons are Ross himself, the difficult daughters his own, but it feels uncomfortable to get too biographical.

And at least – impersonation is a safe topic, and always a favourite round here.There are definite similarities with the Tichborne Case, featured in two different blogposts

Impersonation in books

Impersonation: The Belting Inheritance by Julian Symons

To find other Macdonald books, or those of Margaret Millar, use the tags below.


Top picture from William P Gottlieb’s wonderful collection of photos of nightclubs and jazz singers at the Library of Congress.

[Portrait of Jimmy Crawford, New York, N.Y., between 1946 … | Flickr

 

Vivat Vintage girl in shorts

Comments

  1. Great book Moira! I suspect Oedipus Rex and Oedipus at Colonus are the foundations for this tale (and its scions) - but Frost too, as there are a lot of "roads not taken" from this point on. Must admit, I probably need to re-read it to properly recall the details of the plot :)

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    1. Yes, I agree with that.
      And I will re-read it some time because it's good - but with no confidence I will remember the plot details!

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  2. You're right about Lew Archer, Moira. He really does change over time, and I've always liked that about him. It's realistic that people change and grow, I think. And yes, he's one of the least annoying fictional detectives out there. I've always like Macdonald's writing style, too. It flows nicely and it's got effective visual imagery.

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    1. Yes exactly Margot. And it is great to have realistic characters who seem to have a life

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  3. Sounds as if MacDonald didn't care much for jazz music and musicians, but what did that slide-rule remark mean? I'll have to try one of the later books, Archer didn't do anything for me in his debut at all. I could still do without some of the descriptions of women's bodies (ripening fruit, my eye).

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    1. I got the impression that he liked & respected jazz but didnt understand it?
      Definitely go later rather than earlier!

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    2. A more appropriate picture " piano, bass fiddle, trumpet, and drums" of the band might be of the Dave Brubeck quartet (with alto sax instead of trumpet), which was playing in California then. Does Macdonald mention the band's racial make-up? Brubeck formed one of the first racially mixed jazz bands, and he experimented with unusual time-signatures, which some people might think you'd need a slide-rule for. He was a pianist too!
      I'd guess that Macdonald had a similar attitude to "modern jazz" to Philip Larkin: he could see what was happening and why it was happening, but he didn't like it.
      - Roger

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    3. From what I remember, Ross Macdonald quite liked jazz, especially Oscar Peterson, but that doesn't mean that Lew Archer had a taste for it.

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    4. The club scene was really just atmospher - Archer wants to talk to someone involved there. But I picked the scene to feature because I knew there would be a great Gottlieb picture! Macdonald doesn't give much more detail than in that para.

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  4. I think I might have read just one years ago, so he is clearly a writer who needs to go on the TBR pile. Where is the best place to start? Chrissie

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    1. I'd recommend Nos. 10-13 from the mid-60s: The Zebra-Striped Hearse (1962), The Chill (1964), The Far Side of the Dollar (1965), and Black Money (1966). They have many of his themes without quite as much baroque wheels-within-wheels as some of the later novels (and the last two show hints, I think, of his Alzheimer's). The Far Side of the Dollar was the first one I read, and it was a perfect start for my tastes, and The Chill was his own favorite novel (and the only one I actually solved before the end). The Wycherley Woman, I'll add, is pretty good, but the central plot seems a little unrealistic to me, and above all it has one of the best quips in Macdonald: "Security, the great American substitute for love," or something similar.

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    2. Thank you, Anon, most helpful and I couldnt have put it better. Please out yourself!

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    3. Thank you! Great and unforgettable titles. Chrissie

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    4. From some of the British books I've read, I'd guess that security-substituted-for-love isn't a purely American phenomenon!

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    5. I think it's a human phenomenon

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  5. I remember reading The Galton Case some years ago and liking it enough to try more Ross Macdonald - but I went back and started at the beginning of his work (as I tend to do with an unfamiliar author) and this was evidently a mistake - I didn't like the earlier books and so gave up on him. I shall add a few of the recommendations above to my list.

    Sovay

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    1. Yes, I'm always inclined to do the same, but in this case - skip!

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  6. One thing I really enjoy about Macdonald's work is the evocation of Southern California; I find it very evocative, erotic, lush, brightly lit, but also tense and full of secrets -- just like the plots. -- nbm

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    1. Fantastic description of the atmosphere - exactly how I feel. I don't know Southern California at all, but have a very clear picture from these boooks.

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