The Fingerprint by Patricia Wentworth

The Fingerprint by Patricia Wentworth

published 1956







I am near the end of the Patricia Wentworth Miss Silver books, which will be a sad moment. I shan’t know whether to start again (not that I ever read them in order) or head deeper into the non-Silver books (of which I have read a few).

The Fingerprint started well: I had my hopes. Then came a middle period when I was enjoying it, but it felt strangely familiar – surely I hadn’t read it before? But that was resolved: it has the same setting as the earlier book Eternity Ring, published in 1948 – eight years before and with a lot of books in between. At one point ‘Frank met quite a lot of people he knew’ – well so do we. Character overlap.

There is the same idea of the woman who can conveniently hear all local phone calls on her party line. This could have worked well, but I thought didn’t, and the book tailed off into ‘let’s ask Telephone Girl again’, a lot of repetition, and some not very difficult working out by Miss Silver, treated as genius by all around her. Nearly all of this could be solved by any half-conscious being, and a lot of pages back, so we didn’t really need her to explain it for the second time.

So now I am nervous that the remaining two books won’t be great either – although she wrote three very good books the year before.

Anyway – still time to bring out

The Patent Miss Silver Checklist

 

Heartless behaviour

This recently-added category is called into play (while some others are not). The household contains two young women – one of whom, Georgina, was long-established and presumed to be the heiress to the important uncle, Jonathan Field Then Mirrie comes along, very good at making everyone sympathise with her admittedly dismal life to date. She is very good at attracting attention: will she also become the new heiress…?

So then Georgina is sent a vile anonymous letter accusing her of being jealous of Mirrie: she is told she will lose her boyfriend, and her status as heir, that she is not good-looking enough – and that she has been mean to Mirrie.

Georgina plainly should have thrown this letter in the fire with an exclamation of disgust – does she not know how people behave in this era of village crime stories? (She should’ve read my post on the rules of poison pen, here on the blog)

No, instead she takes it to show her guardian. She is very upset. Not half as upset as she is going to be: Jonathan (breaking ALL the rules of poison pen reaction) most unexpectedly takes the letter-writer’s side and says Georgina IS mean and jealous, has treated Mirrie badly, and deserves all that is coming her way. And if people are writing these letters then she obviously MUST HAVE behaved badly and is letting him down in the neighbourhood. So he’s going to disinherit her.

I do say, there’s always something unexpected or intriguing in a Wentworth book, and this was it. It was so hilariously inappropriate (and unbelievable) and wrong-headed.


Ridiculous reason for an engagement/marriage ending, or a couple being forced apart

Not taken too seriously, but there are the usual qualms of poor men marrying rich women, unless they are cads. Someone just disappears for a bit, but then he comes back and it’s alright (ooh, spoiler).

Coughing

Miss Silver coughs 12 times – a low number. Gently, unobtrusively, meditatively, reprovingly. Also ‘timidly’, which we don’t expect, but she is in character at the time, pretending to be a poor hanger-on of the posh family, in order to gather info.

Unusual names

Very  disappointing – just Mirrie, which turns out to be short for Miriam.

Ladylike & other noteworthy occupations

Mirrie has had a horrible job – Assistant Matron in a Children’s Home, really just a glorified housemaid. You know those American books which have weird character lists at the beginning (see this post for an example)? They would say:  ‘She will stop at nothing to avoid going back there, and who can blame her.’ (they always sound like spoilers but are, obviously, not)

Clothes

The two main young women, Mirrie and Clare, are dressed very differently for a big dance:

and there beside them was a little creature in a white dress. She had dark curls, and the dress was all soft fluffy frills. She hung on Jonathan’s arm and looked up at him with pansy-brown eyes.

See top picture. And then:




"a tall girl in a silver dress – a tall fair girl with a lovely figure and pale gold hair."

Their chaperone, Mrs Fabian   is dressed thus

she was wearing what would have been a perfectly good black lace dress if she had not had the bright idea of relieving it with some bits of faded fur, a couple of purple bows, and a large bunch of rather tumbled violets.


 


The picture shows opera singer Emmy Destinn, a Czech opera singer from many years earlier.

Destinn | Library of Congress

Knitting

"There were always babies who needed shawls, and those knitted by Miss Silver were in continual demand."

(This one is specifically for a baby to be born to one of the characters from the previous book, Poison in the Pen)

They have a lacy intricate pattern – at one time these were considered worrying because babies could get their small fingers caught up in them, but presumably Miss S had no time for that kind of Health-&-Safety nonsense. While knitting she has an extra layer – an old linen towel - between the knitting and her skirt to protect one from the other.

 Sociological detail & Etiquette

A good hearty look at what’s suitable to be worn at a funeral.

You would have thought Miss Siler would always be ready for a funeral, carrying the appropriate items around with her, as death follows her round. But no:



A small scarf of black wool kindly lent to her by Mrs. Fabian enabled her to dispense with the rather yellow fur tippet of an even greater antiquity than the coat. It had been a good fur once, and was still most cosy, most comfortable. Since she considered the country draughty, it invariably accompanied her when she left London, but the colour being a little bright for a funeral she gladly accepted the loan of Mrs. Fabian’s scarf.

Mirrie, despite being of course devastated by the death, is quite excited to have a lovely new outfit all in black, which she can carry on wearing:

She would have liked to wear her new black coat and skirt and the little hat with the veiling. Since the funeral was over, she wouldn’t need to be all over dead black right up to the neck. Mrs. Fabian said she could wear a white jumper or a white blouse and the string of pearls that Jonathan had given her. And she needn’t wear black gloves. That was the funny thing about Mrs. Fabian, she wore the oddest things herself, years out of fashion and quite dreadfully ugly, but she knew what was all right for a girl to wear, and what simply wasn’t done.

 


Jewellery

Since she was on a social visit [Miss Silver] wore an old-fashioned gold chain and her favourite brooch, a rose carved in bog-oak with an Irish pearl at its heart.

This is a frequent flier – but it is not clear what it has to do with the social visit. The brooch is clearly mentioned in other books as being worn at all kinds of working meetings and investigations.


So – always something to discuss in a Miss Silver book, but not her finest moment. On to the next one.

Fur tippet from the Public Record Office of Northern Ireland.

Comments

  1. Now there's a dress that looks great with a crinoline beneath it.

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    1. I do like everything to connect up! Yes you are right...big petticoats ahoy

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    2. Tres bouffant! I don't speak French so I don't know if that's a phrase or not, but it seemed appropriate....

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    3. Very much bouffant, now we're in the mood for it

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  2. I very much enjoyed this, Moira. I feel I could put together a kit containing all these elements (and a few others) for the reader to put together their own Miss Silver mystery. Multiple coughs, tick, bog-oak brooch, tick, ridiculous reason for estrangement, tick, and so on. I could almost write one myself. Chrissie

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    1. Well that is the purpose of the Patent Checklist, Chrissie - all the elements are there.... πŸ˜€πŸ˜€πŸ˜€

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  3. Have Ethel Burkett’s children grown up? No socks for Roger?
    Nerys

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    1. Not only is Ethel sadly missing - the name 'Ethel' is given to someone else.
      The unsatisfactory Gladys, 'Ethel Burkett’s sister but so very unlike her in character', writes a letter to Miss S, but no updates on Ethel's family and no socks!

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  4. Poor Mrs Fabian, she obviously hadn't heard Chanel's dictum that 'Elegance is refusal'. I haven't yet read Patricia Wentworth but love your analysis of Miss Silver's foibles and mannerisms so close to the top of my 2026 list

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    1. Ah thank you for the kind words.
      I like Mrs F, she is slightly nuanced in that it's clear she didn't know that less is more for herself, but was able to give good advice to the girls

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  5. I hardly ever pick up a Wentworth for a "good mystery" but they're one of my favorite comfort reads. I think the sameness is soothing to me somehow--the bog-oak brooch, the blue carpet in the flat, the preparations for drafty country houses. My most enduring memory of this one is Georgina taking a sip of "what must have been very nasty tea" which made my taste buds shudder, if that's possible.

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    1. Yes! an awful breakfast experience. 'Miss Silver...reflected that young people really had an uncommon talent for making themselves miserable.'

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  6. I tried one of Wentworth's earlier books, written several decades before the Miss Silver series, and found it a bit too mellerdramatic for my taste. I don't know if all her early books are like that, but I stick to the 30's and letter. (I don't like Grey Mask either.)

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    1. Yes, I thought there was a definite feeling of her experimenting and finally finding her mode and genre, and chief character. But some of the later non-Silver ones are good. I shall investigate (in the Miss S manner, coughing while reading)

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    2. And don't forget to give your coughs distinct characteristics!

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  7. Neither the title nor the other details are ringing any bells – I shall add it to my list, although I’m already confident that Jonathan is the murder victim and lovely tall fair Georgina is going to get the inheritance in the end. Mirrie sounds a little more sympathetic than Patricial Wentworth’s usual run of designing young girls.

    I suspect that if Miss Silver “dressed” for dinner” rather than just changing into last year’s best day dress, she would look much like Mrs Fabian, though her bunch of violets would be smaller and neater.

    The hat and fur tippet in the picture from Northern Ireland are perfect for Miss Silver, though the wearer looks far too ingenuous – I feel the sharp governessy glint is always in Miss S’s eye.

    Sovay

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    1. You must be psychic Sovay! Yes, Mirrie is one of PW's more nuanced young women, because she is enjoyably awful, and readers see through her in a way trusting men don't, but still - there is reason for her designing ways, and our occasional glimpses inside her head are illuminting. And, she has had a hard life...
      thank you - the picture isn't totally MIss S, but I was pleased with the tippet!

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    2. Not so much psychic ability as familiarity with the Wentworth MO – as Marty says, one doesn’t look to her for a “good mystery”! Re: the young couples divided by implausible obstacles: wouldn’t it be refreshing if occasionally it turned out that the chap really had stolen the diamonds, or crashed his car whilst flirting with a girl he’d picked up in the street, or been mysteriously absent because he was in prison rather than on a top secret government mission. In Christie it might happen; in Wentworth, no.

      Sovay

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    3. I think purple bows would not be Miss Silver's style--her apparel would be tasteful but boring. And I believe she could look ingenuous when playing a part, as in the Case of the Timid Cough above (or Undercover Cough?). A sharp governessy glint in her eye might not encourage confidences as well as the harmless-old-lady act!

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    4. I agree with Sovay about the lovers' "misunderstandings" always working out in Wentworth's books. It's no spoiler to say that the mysteriously disappearing fellow comes back and all is well!

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    5. I’m not wholly convinced of Miss Silver’s good taste – Patricia Wentworth makes it clear, though without spelling it out, that the colours and patterns of her good silk or rayon day dresses leave much to be desired (eg meaningless black and orange squiggles on a background of dull green). And she does have a penchant for purple trimmings on her hats!

      Sovay

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    6. I think it's clear Patricia W reserves the right to gently mock some of Miss S's outfits. I don't think anyone else would be allowed to.
      Agree Sovay - wouldn't it be fun if one of those idealistic gallant men turned out to be not so much...

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    7. Some of Wentworth's heroes have struck me as arrogant enough for criminal behavior. And their lady friends seem to not always have faith in the gents' morals!

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    8. Yes, I've always felt it didn't bode well for those happy marriages that neither party had the slightest faith in the other, and they were no good at communicating.

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    9. Certainly, in this one, I am much more hopeful that Mirrie and Johnny Fabian will have a good marriage. A bit like how in Miss Silver Comes To Stay, the common sense of Fancy seemed infinitely preferable to the designated young lovers, although I think I remember agreeing with you that she had dodged a bullet in not catching the young man in that novel.

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    10. IIRC there's one book - which it is, I can't remember - in which the "hero" has been mysteriously absent, giving rise to rumours that he's been in prison. And it turns out that he has, for the most high-flown and self-sacrificing reasons - he tried to help a friend get his wife out of Soviet Russia and ended up in a gulag. Will he explain this to his friends, family and neighbours? No he won't - he prefers to be dark and brooding and deeply misunderstood, like a sulky teenager ...

      Sovay

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    11. Adriandominic: yes, they were weirdly convincing as lovers despite being far from perfect. She can definitely do characters that we like more than perhaps the author does.
      Sovay: yes I remember that one, but no idea which book. And yes, they like to brood and be misjudged.

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    12. I think the book in question might be The Watersplash. The heroine is cataloging books at the manor house and she's in love with a rather rude young man who has been away for a while and who also might be the rightful owner of the manor house.

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    13. Yes that sounds right! I see this is what I said in my blogpost
      The alleged hero..is a particularly unpleasant specimen: I could not see any redeeming features. He was very rude, and even his friend says ‘It wasn’t only the words, it was the way he had said it, with a kind of savage exasperation.’ He almost deserves to hang for a murder he didn’t do, he’s awful.

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    14. You have to wonder about these heroines' taste in men! What do they see in these guys?

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    15. Indeed - but in real life I have thought that about a number of apparently sensible woman friends too, it happens....

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    16. It is indeed ghastly Edward from The Watersplash! I plan to re-read, but on a quick initial skim through noted that Miss Silver's hat is decorated with something resembling a purple starfish, which leads neatly back to whether we can rely on her good taste in clothes ...

      Sovay

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    17. Purple starfish is an excellent find, though always difficult to find suitable illos.
      She's very judge-y about people's clothes, and class implications, for someone who plainly looks rather odd herself.

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    18. She’s found her style and sticks to it, and I respect that in her - particularly her willingness to keep wearing her clothes for as long as they’re serviceable rather than succumbing to the lure of the new! But yes, the result is - I would say old-fashioned and sometimes a bit shabby, rather than odd (but then there’s the purple starfish - OK, maybe odd). In her line of work she needs to be aware of people’s clothes and the light they shed on their characters, though I agree she can be a bit judge-y.

      Sovay

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    19. There's a dress with a pattern of squiggles resembling Morse code - I am going to say that looks odd. I'm sure Wentworth herself sometimes makes it clear that the clothes she has given Miss S are not beautiful. And I really don't see why being old and shabby is a good thing. We're forever hearing that she's very well-off because so successful in her investigations.

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    20. Given the consequences of the throwaway society, I do find her reluctance to discard things that are still doing their job sympathetic, though back in the 1940s and 1950s I don’t imagine she was doing it for ecological reasons! Family habits of thrift, most likely, and perhaps the lingering effects of the war. No doubt she could now afford to buy more new clothes, but she clearly doesn’t feel the need.

      I sometimes wonder about her background – respectably middle-class, but not at the higher, “dressing for dinner” end, and Ethel and Gladys’s names also suggest a slightly lower rung of the class ladder than the majority of Miss S’s clients – though she nevertheless is quite comfortable in their milieu and certainly doesn’t feel in the least inferior.

      Sovay

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    21. Is Miss Silver really shabby? She certainly gets the most out of her clothes (which are probably of pretty good quality) but not to the point of being threadbare. She seems to be basically a neat little person, even if not tasteful! Probably her days as a governess were not too rewarding financially, and she had had to be frugal. Kind of like people who lived through the Great Depression who can't stand waste.

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    22. Shabby may not be quite the right word - here she is in The Watersplash:

      “The coat was the one which had reappeared every autumn for years. The black cloth of which it was made was still perfectly good, but there was that indefinable look of having been worn a good deal. The hat, a black felt with a kind of purple starfish on one side and some loops of mauve and black ribbon at the back, had been Miss Silver’s second best for a good many years. It would continue to do its faithful duty for at least two more winters.”

      I’m sure you’re right about the good materials. In quite a few of the books, people meeting Miss Silver are moved to wonder where she manages to find such old-fashioned clothes, but I imagine she knows an elderly dressmaker with a stash of patterns from around 1910, and supplies her with the olive green cashmere and strange abstract printed silks.

      Sovay

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    23. 'that indefinable look of having been worn a good deal' - to me that's the very definition of shabby. You can defend her all you like, but I ask you - 'would you want your mother (maiden aunt, ex-governess) going round like that? Or would you take her out to Dickins and Jones and give her a makeover?' πŸ˜€πŸ˜€πŸ˜€

      I am meanwhile pondering Sovay's question of her class background. There is very little about that in the books, and you make good points about the names... but as you say, she knows how to behave in high society while not coming from it

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    24. I respect your POV on this, but shall also continue to respect that of Miss Silver, early and unwitting eco-warrior (I wonder how she and Greta Thunberg would have got on in a pupil/teacher context).

      Gladys is so very much a servant’s name in GA fiction - the Provincial Lady’s house-parlourmaids are Ethel and Gladys, with ‘Howard Fitzsimmons’ in his inverted commas in between. We know that Miss Silver was fond enough of her parents to wear a locket with their pictures in from time to time, but do we learn anything about them, such as her father’s occupation/profession? And she has at least one sibling, parent of Gladys and Ethel … I must have read all the MissSilver books, but over a period of too many years to remember all the details. I know she went to a school where she was taught to knit in the continental style by a foreign governess - to me, ‘governess’ (rather than ‘teacher’) suggests a boarding school.

      Sovay

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    25. "The cloth was still perfectly good"--even though lived-in-looking--doesn't sound like shabby to me. Definitely not "smart" but not seedy either. I think Miss Silver would have wanted to look respectable, I suspect upper-middling class. Isn't it the eccentric aristocrats who go around looking disreputable in aged tweed coats and such?

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    26. Sovay - I always claim that the incidence of maids called Gladys in GA fiction outnumber the actual incidence of such maids in real life. There was a Gladys who became Duchess of Marlborough, but she came from a complicated but really rather rackety background.
      It's interesting, because we get more detail about Miss Marple, but not vastly more - and yet can clearly place Aunt Jane from the facts given.
      Marty: older tweeds are very acceptable in the country, but town is different.

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    27. Marty - Miss Silver doesn't have the "eccentric aristo" vibe to me - my feeling about her has always been that although she's quite at ease in the world of the gentry and minor aristocracy who employ her, it's not her world; when her clients' friends and relations ask who she is, the answer is always connected with her work - eg "She's the woman who managed to get Lady Clifford's pearls back", not "Well, you remember my mother's cousin Margaret who married one of the Cheshire Silvers? That's her niece." In my head Miss S's father had a shop - drapery and haberdashery perhaps - bringing in a respectable income but not so lucrative that the family didn't have to think about what they spent, and not so lucrative that he could afford to save much. I imagine both her parents died when she was young and she had to take to the scholastic profession to support herself and possibly younger siblings (I remembered her nephew Jim, whose surname is Silver, so Miss S must have at least one brother).

      All of which may be contradicted by details in the books I can't remember!

      CiB - for some reason I thought the Gladys who became Duchess of Marlborough was Gladys Cooper, whose lovely portrait by Orpen has appeared here more than once, but Wikipedia says otherwise.

      Sovay

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    28. Very nicely worked out and presented Sovay! Good points, I like your perception that her family is never her way in.... but I was shocked by the idea that her father had a draper's shop. Trade! I was suddenly reminded of a character in Agatha Christie's After the Funeral talkig about eligible (or otherwise) young men: ‘a chemist’s shop is much better than a haberdasher’s’. But I can't see her growing up in a chemists' shop eitherπŸ˜€πŸ˜€πŸ˜€. I'm going to make a counter-suggestion: father worked in a lawyer's office? Not a fully qualified solicitor, a senior clerk.

      Oh Sovay, I had to spend some time myself sorting out the various Gladys'es! I thought Gladys Cooper came from a posh background, and she doesn't, and then I got lost in the story of the Duchess Gladys, and then I realized I had to spend a moment getting Gladys Cooper, Diana Cooper & Duchess Gladys all straight.
      Was it something about the name Cooper - both Gladys and Diana were startlingly beautiful. (Though Diana was Manners, Cooper was married name) Diana very posh, but did do some stage and film work.

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    29. I don’t think Miss S would be ashamed of a family background in trade (chemist’s shop presumably superior because a dispensing chemist would need some education and qualifications) but the alternative possibility of a solicitor’s Head Clerk had crossed my mind – a respectable and responsible job, better paid than many but still at the lower end of the middle class. Or perhaps Mr Silver was in the scholastic profession himself, as a schoolmaster at the local grammar or secondary school. Working as a governess in gentry families from an early age would expose her to their values and attitudes, and she has evidently absorbed quite a lot of their POV (as have we, being shocked by the possible association with Trade!).

      I’m seeing Miss S as a scholarship girl, perhaps hoping for a career until family circumstances intervened – does she ever mention any expectation that she would have married in different circumstances (which would still be the norm for most girls) or express any regret that she didn’t have the opportunity to do so? Ethel and Gladys’s parents I fear may be dead - as far as I recall Miss S never mentions them or thinks of writing to them about eg Gladys’s latest threat to leave her husband.

      The Gladyses and Coopers are confusing - I had an idea that Lady Diana Cooper (nΓ©e Manners) was a victim of early and unsuccessful plastic surgery, but that turned out to be Duchess Gladys ...

      Sovay

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    30. I would like to make it clear that *I* am not shocked by trade - I am mocking the attitudes that others have. My Granny kept a grocer's/general store and sent all her children off out into the world to do interesting things.
      My general view would be that we are all born equal - but I would have more respect for someone who has overcome difficulties or poverty to achieve success, or just to live a happy life.
      But perhaps I should be feeling sorry for all those very confusible rich women! Wealth, privilege beauty didn't always bring happy times.
      In one of Ngaio Marsh's novels there is a woman who has suffered from a botched facelift - I'm wondering whether it was very common, or whether a famous story influenced Marsh

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    31. My comment on the unacceptability of Trade wasn’t entirely serious (and I’d assumed yours wasn’t either)! My mum remembers my grandmother’s cousin Amy being regarded as the posh member of the family on the strength of running her own one-woman dressmaking business from her front room (in Harrogate - that was what really clinched it). Apart from Amy, it was mill workers, servants and farm labourers all the way - Trade was a big step up …

      I can sometimes sympathise with the better-off women of the past who didn’t have to earn a living but were filled with frustration at the boredom, triviality and uselessness of the kind of lives they were allowed to lead.

      Death and the Dancing Footman is the Ngaio Marsh you’re thinking of, and I think the character has had the same operation as Duchess Gladys – an injection of wax filler into the face that ends up in the wrong place – but in her case things went wrong straight away, whereas for Duchess Gladys the slippage seems to have happened over a number of years.

      Sovay

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    32. I thought we probably felt the same way Sovay! but I didnt want other readers to have any doubts.
      Yes, I don't think those rich women necessarily had a great time, but I cannot get over the entitlement and the treatment of servants.
      Here is the Marsh book
      https://clothesinbooks.blogspot.com/2017/03/death-and-dancing-footman-by-ngaio-marsh.html

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    33. I didn't mean to say that Miss Silver was an eccentric aristocrat, quite the opposite in fact. I have the impression that being a governess was an acceptable "profession" for middle-class women who had to make their own way in life, and wondered if her situation was like that. I like the idea of her as a "scholarship" girl, I can see her as an earnest academic! She seemed to take teaching seriously, not as just another way to get by. So much to speculate about in her past

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    34. 'MIss Silver - the Origin Story' is a project for someone! I like the idea of a scholarship too - and in different circs she could have joined the ladies at Girton in Cambridge.
      Doesn't she say somewhere that she very much disliked governessing, and that being an enquiry agent suits her better?

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  8. Some potential spoilers below.
    This was, for me, one of her most curate's egg books. As you say, the setup is bonkers, the repeat of the telephone girl as a deus ex machina seems lazy, the villain is as moustache-twirling and obvious as ever appeared in a PW book. Yet the characterisation of Mirrie and her romance with Johnny Fabian is convincing; Mrs Fabian is good value; and the subplot with the solicitor's office comes across as having real stakes for the women working there.
    Perhaps another category to add to Miss Silver novels is avoiding the need for embarrassing trials by car crashes or suicides.
    A point which annoyed me, and it may simply be that the law changed in the interim, was that my understanding is that the burning of the new will should have resulted in the intestacy rules applying and not the old will coming back into force. Still, it was quite clear that Mr Maudsley wasn't the best lawyer ever to appear in fiction.

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    1. Sorry, for some reason missed the name off this comment.

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    2. An excellent summing-up of the good and the bad, I hard agree with your categorisation.
      yes, convenient deaths save the rather poorly evidenced solutions coming to court dont they!
      Perhaps she liked crashes (a bit like JG Ballard, say πŸ˜€πŸ˜€πŸ˜€) - at least two of her books have railway crashes which are completely unnecessary to the plot and change nothing.
      Yes the point about the will occurred to me too - this is a very frequent mistake (and I think it IS a mistake) in crime stories. Think how many lost and burned wills there are in the genre! Sometimes it's actually an issue that a character doesn't know this rather key fact. And I am pretty sure that it was an issue in the real-life Bodkin case which was rumbling through the late 1950s, so It's not a subsequent change of the law.
      In one of the Ngaio Marsh books, she seems unaware that a marriage cancels all wills automatically.

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