The Doctor and the Corpse by Max Murray
published 1953
Susan was on deck, looking, as usual, like Miss America, or Miss Campus or Miss something or other. It made her different from the rest. She was stretched out in a deckchair pretending, and only pretending, to read. She was a girl waiting for something to happen, good or bad, but something…
‘Hello, sleuth’ she said. ‘What gives?’ Those may not have been the words, but they gave him that impression.
I’ve enjoyed all
the Max Murray books that I’ve read, and am delighted that
Galileo Press is reprinting some of them.
This one was somewhat different from the others – not as
funny and light-hearted, but very compelling.
It has a great setup, and takes place entirely on the docks
in Singapore. A chartered yacht is moored there, and the very wealthy man who
is organizing the trip writes to the local police to say he is in fear of his
life. A colonial officer, Michael West, heads out to the ship to see him and –
no surprises here – he is too late: Everitt Stock is dead.
The crime has to be investigated, and the ship is trapped in Singapore, in burning heat, until the killer is found. West is forced into an uneasy partnership with Stock’s private physician, Dr Glen Andrews, while not wholly trusting him. There is also the ship’s doctor – Professor Licori, aged and close to incapable – a feisty red-haired nurse, and a mother and daughter combo from Stock’s home town.
It becomes more and more apparent that Stock is an
appalling character, and that the world is well rid of him. His intricate web
of relationships with those on board is slowly brought out.
I had inexpert problems with the size of the boat: as well
as the guests, and the crew, there was also a set of other people – Dutch
nationals returning from the Far East to their home – who had in some way been
cheated by Stock. They are crammed into unsuitable and over-crowded quarters.
We only get a passing acquaintance with them, with the exception of their
leader, and one particular young woman.
This all makes for a claustrophobic and uneasy atmosphere over the couple of days of the investigation: the heat, and the uncomfortable living situation, rack up the tension. There is more illness, a baby being born, various medicines to be tracked down, possibilities of poison. Many of the cast of characters are eyeing up members of the opposite sex, and getting cross with each other, and wondering whom they can trust. Everyone has a motive for something.
In the end it is all resolved, not wholly surprisingly, and
soon the ship will sail.
I’m trying to think how to explain how unusual the book is
– it has a jerky structure, changes of POV, and sudden dives in odd directions.
In his other books, Murray gives the air of standing back from his characters
and taking a relaxed easy attitude to the unfolding events: but this is not the
case here.
The top quote is typical of the strange style – ‘those may
not have been the words’? This seems an odd construction.
But it makes for a readable and compelling story.
The colour picture is from a great favourite resource, Florida
Memories – I wrote about it in an earlier
Max Murray entry, where the Florida connection was not, as
here, non-existent. I just thought this was a great photo, even though from
1961.
Medical personnel aboard a hospital ship, 1940 - but having a look of the characters in this book - Australian National Maritime Archives.
Nurse and patient aboard a hospital ship, 1951, Navy
Medicine via Flickr.
Photographs of the main wharf in Singapore from UK National Archives.
I'm immediately intrigued by the setting, Moira. It's not one I run across a lot. And the atmosphere does seem really effective for the sort of story this is. I can definitely see how you were drawn in.
ReplyDeleteYes Margot - there were some familiar tropes, and it is very much a book of its time, but there was something fresh and original about it too.
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