Lady C: The Long Sensational Life of Lady Chatterley’s Lover by Guy Cuthbertson
published 2026
Oh what perfect joy this was.
I read DH Lawrence’s Lady Chatterley’s Lover when I
was a teenager, because of course we all did – banned for years, controversial
and full of sexy bits. I was a keen reader of Kate Millet’s Sexual Politics (1970s
literary feminism at its finest) and she had a long section on Lawrence, and
particularly on Lady C.
I read it through her eyes as a male-dominated fantasy, and
I believe did enjoy it, though it was surprisingly full of long pages of other
discussion (‘like all that Kitty and Levin agriculture in Anna Karenina’ as
someone said to me). Never looked at it since.
Guy Cuthbertson has featured
here on the blog for this book
Peace
At Last: A Portrait of Armistice Day, 11 November 1918
An absolutely marvellous look at the end of WW1. I said
then ‘a monumental achievement. It contains a huge amount of research,
brilliantly put together – I am in awe at the way Guy Cuthbertson managed the
material, putting the right things together, and painting such an extraordinary
and indelible picture’
And that would apply equally to his new book:
Lady
C: The Long Sensational Life of Lady Chatterley’s Lover
He looks at the book in its own right, fascinating litcrit, but he also looks at its impact on, and place in, the world, its legendary part of popular culture. How did it get to be so controversial, so famous, so emblematic? And of course – the book itself demanded to be read again.
Is it a unique book? Its combination of playfulness and joy, the open attitude to sex, lumbering points being pressed home by the author – the thumb on the scales as Martin Amis says. A reader is never in doubt as to whose views are correct, and shared by the author. Sex scenes and frank language that can still surprise today. Some jokes and absurdity that Lawrence intended, and others that seem naïve.
He’s like that chap, your friend, who drones on at social events about some strongly-held views, and you can’t be bothered to argue (boring, or avoiding trouble, or kindness) and so he ends up ‘so I take it you agree with me then?’
Lawerence was mad (in the colloquial sense), and also immensely talented, and also one on his own.
It is very sad that he died in 1930 so soon after publication, so didn’t get to enjoy the controversy and then the sales. Briefly: in the UK the book was banned until a trial in 1960 released it. The trial itself was the best show of the year, and is famously referenced in the Philip Larkin poem Annus Mirabilis. (The new book also looks at censorship and banning in other countries)
Guy explains all this in a riotous, entertaining narrative which is also impeccably researched and referenced. He looks at every aspect of the book: particularly fascinating on the way Lady C entered popular consciousness. Everyone knows who she is, and can snigger with the best of them. He looks at screen adaptations (sent me off to watch some).
There are lovely nuggets such as the perception that people writing Lonely Hearts adverts can use Lady C and Mellors as shorthand for a type they are, or are looking for.
And my own idea – which is that in a Robinson Crusoe post (I too like to consider books’ impact on the world and role in pouar culture – no wonder I loved this book) I quoted a Wilkie Collins character saying that RC is just someone who was always there, a mythic character, we don’t remember when we first heard of him. I don’t suppose the two have often been compared, but I think Lady C is the same.
Guy makes a great point that even today, Lady C is not studied as a set text very much – ‘Lady C had never been killed by becoming a classic classroom text’. This means that unlike almost any other book of its literary stature, there isn’t a long boring phalanx of people online saying ‘I read it at school and it was really boring’, as if that was the final verdict.
Another
fascinating explanation – until the book appeared, gamekeepers were held in
very low regard, dirty solitary figures who had moved away from the locals they
grew up with to become hunters of poachers. Traitors to their class, kowtowing to the gentry. Lawrence
changed that with Mellors, so they are seen very differently now.
His
use of rsources (as in the Armistice book) is exemplary, and unmatched. Again
he has looked at school newsletters, and in this one also finds a reference to
11-plus children mentioning Lady C and the gamekeepers in their exam answers
Slight diversion: Early on in Lady Chatterley’s Lover,
we follow Lady C when she and her sister were young and unmarried: they went to
Dresden in Germany to study music, and had a free life surrounded by young men.
This sounded familiar, and I tracked it down to this book
The
Camomile by Catherine Carswell
Where I said:
It tells the story of a young woman who has been studying music in Germany, and has now returned to live in her home town of Glasgow. In some books there is some passing reference to another time or place, and it makes you think ‘that’s the book I want to read’ – here the years in Frankfurt sound highly dramatic, what with love affairs, starving artistes and dramatic disasters.
And it turns out that Carswell was a close friend of
Lawrence, did he perhaps get details of that free and easy life from her? This
must be the only outside reference I can add that isn’t in Guy’s book, though
Carswell is mentioned – she wrote a biography of Lawrence, and describes how he
consulted her on the title, and on how to get it typed up, when one person had
refused to continue typing because horrified by the indecent content.
The Australian author Henry Handel Richardson (actually a woman, and best known for the early feminist classic The Getting of Wisdom) also wrote a ponderous novel, the 1908 Maurice Guest, about young people of various nationalities studying music in Germany – this time Leipzig – and having affairs, committing suicide etc. No direct connection that I can see, though Carswell and Lawrence could both have read Maurice Guest. Just how many young people of all nations were gathering in Germany in those days to study music…? Early version of a gap year with Germany standing in for Thailand.
Anyway - this new book is the perfect scholarly work that
is also hugely readable and entertaining, informative and thought-provoking. Highly recommended.
And also – it makes you read the original book again. Lady
Chatterley’s Lover will have to have its own entry.


I admire authors like Cuthbertson who can give background on a book, its author, and the era without weighing the book down. And it's certainly an interesting perspective on what has become a classic. I'm glad he addresses the question of banning, as that's a big part of the book's history as well as a major topic in and of itself. Glad you enjoyed this, Moira.
ReplyDeleteI think this is a model of how a book can be informative and 'serious' but at the same time very entertaining
DeleteI must read this - and the book about the armistice - just my cup of tea. Such a landmark case and yes, the kind of book that was passed from hand to hand at my girls' school. Chrissie
ReplyDeleteYou will love them both.
DeleteDefinitely passed around at school!
This new book sounds fascinating – adding it to the list!
ReplyDeleteI hadn’t given much conscious thought to the status of gamekeepers in their communities but certainly none of the folk songs concerning poachers and gamekeepers, as far as I know, celebrate the heroic efforts of the gamekeeper to defend his master’s pheasants – they’re far more likely to be about the joys of sneaking illegally through the undergrowth with your trusty lurcher by your side … or alternatively the unfairness of being transported for life for bagging one of the aforesaid pheasants.
Sovay
Exactly, it's not a happy part of British history I think, poaching seen as such a serious crime, lives ruined, just because the upper classes were outraged
Deletehttps://openpoet.org/poems/374246
DeleteWow, that is quite something, I am glad to have read it.
DeleteI think of Kingsley as Christian Socialist and reformer, and I'm glad he was this extreme.
I bet it wasn't popular at the time.
I saw the online launch of Lady C, and it looks every bit as good as Guy's brilliant biography of Wilfred Owen. Gamekeepers, well, Will Grundy in The Archers (I know some people hate it!) is very respectable and respected.
ReplyDeleteGuy C has such a touch for combining erudition with entertainment.
DeleteI used to listen to the Archers, back when the Grundys were a by-word for unreliability - I'm glad they've moved up in the world!
Clearly you need to do a post on music studies in Germany! The recently mentioned Fraulein Schmidt and Mr Anstruther fits right in, and I will offer up . . . And Ladies of the Club (Helen Hooven Santmyer), where Elsa, daughter of one of the founding members of the literary club, goes to Germany to study music before coming home to marry a childhood friend, in the 1880s or so (BTW I think there would be excellent clothes passages in this multi-generational saga). I feel like there are other such references tickling my memory, so I may be back with further suggestions if these vague notions solidify! Was Germany considered safer (more moral, more Protestant) than racy France, full of romantic Frenchmen who would lead young Anglophone women astray?
ReplyDeleteOh great, thanks - do think of more. It is intriguing isn't it? Of the Mitford sisters - -some went to France to be 'finished' but Unity went for Germany (of course). Diana did both. There could be a lot of material here...
DeleteInteresting about Protestants - you're probably right. Catholic girls from Ireland went to Spain, to live en famille or do some governessing - you don't hear that much about English girls, and the religion is obviously the reason.
Kate O'Brien wrote a novel - As Music and Splendour about two young Irish Catholic girls studying music abroad - they start in Paris (but at a convent - very little scope for romantic Frenchmen) then move on to Rome. They are of quite humble background IIRC - this isn't an equivalent of finishing school, and although their local community has identified their talent and decided to finance their training the expectation is that they'll turn professional as soon as they're qualified and start paying back the money that's been spent on them.
DeleteSovay
I love Kate O'Brien but haven't read that one - thanks! Exactly what we're looking for
DeleteWasn’t the Mitford brother, who tends to pale into insignificance in comparison with all the girls, devoted to German music? I seem to remember in one of Nancy Mitford’s early novels a group of young men who refuse to talk about anything else, supposedly based on the brother and his friends.
DeleteGermany seems to have been regarded as the musical country par excellence in the nineteenth century, certainly in terms of orchestral / instrumental music; French music too lightweight and frivolous to take seriously (Kate O’Brien’s two girls are singers, which is why they end up in Italy, studying opera).
Sovay
Yes - Tom Mitford. And he was in general so devoted to German culture that towards the end of the war, he asked to be posted to the Far East because he could not bear to fight against the Germans. He died in (I think) Burma, and the feeling in the family was that he would have survived the war if he had stayed in Europe.
DeleteAgatha Christie, whose first love was music, studied in Paris.
Were there no music teachers in England? 😀😀😀
I think we can all imagine convincing our parents that we HAVE TO study abroad, where we will be well-behaved, hard-working and chaperoned.
And of course there's art too - I'm sure they went to study art also.
Did young Germans and French people come to Englan or was it seen as a Philistine wasteland?
Another one: in Maud Hart Lovelace's Betsy-Tacy series, Betsy's older sister Julia goes to Berlin to study singing with Fraulein von Blatz, who has a class full of young Americans living nearby. Plans for this are first laid in Betsy Was a Junior, and from then on Julia's letters from abroad feature regularly.
DeleteIn the late nineteenth century England was known as "the land without music". 1the first great cpomposer - Elgar -was self-taught, nut his models were German and Ralph Vaughan Williamsstudied with the younger Frenchman Ravel
DeleteIn the late nineteenth century England was known as "the land without music". The first great English composer since Purcell - Elgar -was self-taught, but his models were German and Ralph Vaughan Williams studied with the younger Frenchman Ravel
Delete- Roger Allen
Thea in Willa Cather's novel The Song of the Lark goes to Dresden for voice training.
DeleteWhat a great list we are developing - thanks all.
DeleteI remember from Marian Anderson's autobiography that German Lieder were an important part of singers' "classical" education. I don't know much about it but I'd think it made Germany a natural place for musical studies?
DeleteI'd have thought Italy was at least as important...
DeleteNot quite the same situation, but I'm reminded of Dorothy Richardson's Pointed Roofs, an early example of stream-of-consciousness writing, about teaching in a finishing school in Hanover (drawn from Richardson's own experiences).
ReplyDeleteFor English girls teaching abroad, Villette is surely the starting point!
DeleteYes the Brontes own experiences put to good use.
DeleteI'm trying to think - were the Brontes musical much? Or was it all writing poetry?
I recently did a post on a 1960s Mabel Esther Allan book about a young woman teaching in a finishing school, and that Sloane thing of Swiss schools is really adding to the list....
There are former English-governesses-abroad in Barbara Pym’s novels - in A Glass of Blessings Miss Prideaux, who is on friendly terms with former diplomat Sir Denbigh Grote,
DeleteAnd in Miss Boniface and Miss Edgar, who by contrast have been high-hatted by the genteel British ex-pats at the Protestant church in Italy, and have ‘gone over’ to Roman Catholicism as a result.
DeleteBP herself was briefly a governess in Poland in 1938 - it seems an odd time and place to choose, especially as her employers were a Jewish family, but that may be hindsight - or perhaps it lends colour to the suggestion, which I’m sure has been mentioned somewhere on this blog, that she was actually working for the British Secret Service in the 1930s.
Sovay
Miss Boniface and Miss Edgar are in Excellent Women …
DeleteSovay
Now I had completely forgotten that! Excellent additions.
DeleteThere was also Miss Froy, the lady who vanishes in Ethel Lina White's The Wheel Spins (on which the film The Lady Vanishes was based) - she was governess to an aristocratic family. What has she seen, witnessed, learned that means someone wants to get rid of her?
There was a governess in a few of Thirkell's books, I forget her name but she was loved and respected by many.
DeleteEnid Blyton school stories usually had a Mamzelle -- at Malory Towers I think there were two...
DeleteVita Sackville-West was described as being "like Lady Chatterley from the waist up and the gamekeeper from the waist down." Just thought I'd throw that in Chrissie
ReplyDeleteWhat a fabulous quote! Do we know who said it?
DeleteAppears to have been Cyril Connolly
DeleteRight yes, I can imagine that...
DeleteI'll also add that German literature and philosophy was also greatly admired in the 19th century.
ReplyDeleteIndeed
DeleteI'm thinking of Rupert Brooke's travels in Germany, which brought to mind on the subject of clothes that Ka Cox made some shirts for him. That strikes me as very clever - I wouldn't know where to begin!
ReplyDeleteLike Katherine of Aragon making shirts for Henry VIII!
DeleteA skill to be learned.
The structure of shirts always seems so complicated
Sounds fab, thanks Moira. I have ordered the Lady C book. I remember reading the "John Thomas and Lady Jane" version as a teen and guffawing quite a bit ...
ReplyDeleteOh good, hope you enjoy. Yes I remember we were told off by our most literate and literary friend for finding it funny, when she said it was a beautiful great work of art. I think it's both!
Delete